This timelapse features my best work yet. It represents hours and hours of dedication to the art. I'm driven by chasing fleeting moments of damatic light on beautiful landscapes and also capturing the night sky and milky way in all it's glory is a real buzz. Not be mention curling up out under the stars beside all the gear for whole nights at a time catching some sleep here and there between checking the gear and changing batteries and staring up into eternity with spectacular meteors burning up in the cosmic shore out the corner of your eye. Doing this sort of thing has bought me closer and closer to the wilderness. There is something about doing this sort of stuff that just makes you want to keep coming back for more and more. Maybe it's the experience of being out there at one with the incredible beauty of this landscape. Maybe it's the challenge of capturing it in the camera in the way that you witnessed it. Maybe it's the excitement of seeing just what you got when you finally render it all out. Maybe it's the satisfaction you get out of showing this to other people. Most probably it's a combination of all these things.
I hope you enjoy watching this timelapse. Please leave a comment if you wish, I'd love to hear from you. It is my hope that in bringing back a little piece of nature to portray in this way helps spark the respect we need to have for such an incredible place.
All scenes shot in the North Island of New Zealand.
Main equipment used:
Canon 5D Mark II & various Canon Lenses
Dynamic Perception Stage Zero 6ft Dolly
"Go Beyond" by Ben and Matt Hales, licensed for use through Universal Publishing Production Music and APRA New Zealand.
Thanks to my family for putting up with my habit ;)
El Vivero de autores Angulo es una iniciativa de Quesos Angulo para ayudar a productores y creadores locales a no ser uno más. Es un espacio para apoyar a todos aquellos autores de productos que comparten la filosofía de Quesos Angulo de hacer productos con personalidad, un toque artesano y sobre todo, lo hacen con pasión. Entra y descubre cómo apuntarte.
Este es un vídeo artesanal creado por Lyona, producido por Attic Films y con música de nouvellemusic.com
My graduation project at the University of the Arts Bremen in 2014.
A short animated film about the weather – inspired and informed by chaos theory and Lorenz attractors, romantic landscape paintings and the minimalist polygonal look of early computer simulations.
Music: Origamibiro - Flicker (http://www.origamibiro.com)
Watching in fullscreen is recommended!
From inception to completion, making "The Approximate Present" took me about one and a half months of full-time work.
The idea that emerged from the premise to make an animated short about the weather was rather simple: using the basic notion of chaos theory (the slightest variation in initial conditions will eventually lead to an unpredictably different outcome) as a narrative structure.
For the film's look, I knew from the outset that I wanted it to be stylized, minimal and solid (for lack of a better term), somewhat reminiscent of early flight simulators. At the same time, I strived to convey a certain sense of place and emotion, drawing inspiration from my own experiences of various weather phenomena. The way different weather conditions can completely change the appearance and mood of a landscape has always held great fascination for me – a fascination I tried to express through the film's images as good as I could. That's why I spent a lot of time on the lighting, colors and post-processing. For reference, I looked at romantic paintings of landscapes and dramatic, overly saturated skies and clouds, for instance those of british painter William Turner.
Finding the right music to go with the images I envisioned was another important part of making "The Approximate Present". After listening to what must have been hundreds of tracks, I came upon "Flicker" by Origamibiro (which they generously share on freemusicarchive.org). I immediately knew I had found the right track. Besides being a simply beautiful piece, I think it matches, or even mirrors the film’s structure really well.
For modeling and animating, I used Cinema 4D, and After Effects for additional animation, editing, color grading and post-processing. A bit of Processing was also involved in the visualization of the Lorenz attractors – the butterfly-shaped lines.