1. by the courtesy of Plato Art Space (Plato College of higher education)

    ilhan koman hulda festival, a journey into art and science exhibition
    Ayvansaray Caddesi No:33 Balat - İstanbul
    22 September - 31 october

    video and sound design by Candas Sisman

    commissioned by Plato Art Space (Plato collage of higher education)

    thanks to :İlhan Koman, Bager Akbay, Gorkem Sen, Burcu Beslioglu, Plato Art Space (Plato collage of higher education), Koman foundation, Deniz kader

    csismn.com/
    PlatoSanat.com
    huldafestival.org
    koman.org/

    A Short Animation Inspired by the Works of İlhan Koman

    Plato Art Space is proud to present Candaş Şişman’s video dedicated to famous sculptor İlhan Koman produced for the exhibition İlhan Koman: Hulda Festival, a Journey into Art and Science opening on the 22nd September, 2010.
    İlhan Koman’s unique design approach in his form studies also inspires contemporary art works. The video installation Flux by young artist Candaş Şişman can be defined as a digital animation which is inspired from the structural features of some of İlhan Koman’s works like Pi, 3D Moebius, Whirlpool and To Infinity... A red circle, which is colored in reference to the red radiators of Ogre, is traced in a morphological transformation which re-interprets the formal approach of Koman’s works. The continuous movement sometimes connotes the formal characteristics of Pi, 3D Moebius, Whirlpool and To Infinity..., as well as the original formal interpretations of the design principles of the works . In Flux, Koman’s design process in the making of the Pi series has been treated as the emerging of a sphere from a two-dimensional circle by the principle of increasing the surface; and that simple direction is re-interpreted in digital medium. Thanks to this, in the digital animation an entirely different form serial that does not resemble Pi yet remaining its design principle can be followed through the flow of a circle to the sphere. As a conscious attitude of the artist, this work is not designed in a direct visual analogy with Koman’s works. During the animation, none of the moments of the transforming form look like Pi or 3D Moebius, however the subjective reading of Koman’s approach can be observed.

    With the integration of the sounds of various materials – which Koman used in his sculptures – Flux turns into an impressive spatial experience. Flux, also exemplifies that Koman’s work can be re-interpreted by the analysis and manipulation of form in the digital medium.

    # vimeo.com/15395471 Uploaded 805K Plays 355 Comments
  2. light-harvest.com

    We set out to create a one of a kind public art experience, a projection mapping installation for multiple surfaces and multiple dimensions. Created by a hand picked team of artists with sponsorship by AT+T, Senovva, Light Harvest, and Leo Kuelbs.

    Unfolding like an animated modern Botticelli painting, flowing above our heads and spreading outwards
    in every direction, “As Above, So Below” immersed viewers in the architecture of the Manhattan Bridge. Audiences physically entered the story and explored the shimmering surface as it ignited with messages and symbols.

    This originally conceived video mapping project was a challenge offered to a group of artists from varying backgrounds. Led by digital arts pioneers Farkas Fulop and Ryan Uzilevsky, with post production support by Sina Taherkhani, the group created a one-of-a-kind experience. Adding to the fun were Artists Simon Anaya, John Parker, Richard Jochum and Johnny Moreno. The final projection utilized over 25,000 square feet of architectural canvas, and ultimately won "Best In Show" at the Dumbo Arts Festival.

    This production tested every technique in image-making conceivable in the short time frame, including stop motion animation, and the suspension of over twenty performance artists from fly wires at sixteen feet off the ground.

    Leo Kuelb is responsible for securing the site and bringing the original team together. He also put together a great international video art showcase between screenings of "As Above, So Below."

    Soundtrack by Daft Punk

    Production Credits:

    “As Above, So Below”

    as part of “Immersive Surfaces”

    Artists:
    Farkas Fülöp
    Ryan Uzilevsky
    Simon Anaya
    Sina Taherkhani
    John Ensor Parker
    Johnny Moreno
    Richard Jochum

    Visual Effects Team:
    Sina Taherkhani – VFX Creative Direction

    Farkas Fülöp – Visual Effects Supervisor

    Simon Anaya – Video Mapping Specialist

    Ryan Uzilevsky – VFX Producer

    John Ensor Parker – 3D Environment Architect

    James Laudicina Jr – VFX Production Manager
    Isaiah Palmer – 3D VFX Artist

    Kevin Bleich – 3D Programmer

    Luis Valdes – VFX Artist

    Paul Imperio – VFX Artist

    Cory John Stoffa – VFX Artist

    Filip Radonjic – VFX Artist

    Paul Daniel – VFX Artist
    Adam VanDine – VFX Artist
    J.k. Carrington – VFX Artist

    Aerialists / Movement Performers:
    Malado Baldwin – Movement
    Kae Burke – Aerialist
    Darnell Celius – Movement
    Sarah Lisette Chiesa – Movement
    Iara Celest Diaz – Movement
    Nahdi Gibson-Zelaya – Movement
    David James – Aerialist
    Jesse Lenat – Movement
    Erinina Marie Ness – Aerialist
    Max Pollak – Movement
    Anya Sapoznihkova – Aerialist
    Rachael Shane – Movement
    Julianna Takacs – Aerialist
    Tyler Visar Shaqiri – Aerialist
    Despina Sophia Stamos – Movement
    Sarah Walko – Movement

    Crew:
    Kevin Bleich – 3D Scanning – Web Developer
    Chris Studley – Lighting Designer / Set Carpenter
    Buddy Raymond – Rigger / Set Carpenter
    Anya Sapozhnikova – Stunt Consultant
    Marion Talan – Costume Designer
    Dana Fairbairn – Script Supervisor
    Darnell Celius – Production Assistant

    Special Thanks:
    The House of Yes
    The Juilliard School
    Eugene Lang College The New School for Liberal Arts
    Columbia University
    Kevin Carlisle
    Katy Hamer
    Amelie Zadeh
    J. Peter Siriprakorn
    Andrew Esterly

    # vimeo.com/32756536 Uploaded 205K Plays 43 Comments
  3. Starfield is an installation where a swing is used to create a large interactive starry sky.

    With a Kinect installed behind the swing and a video projector, the software creates a galaxy of stars in which the user wanders with the rhythm of his swing.

    Created with openFrameworks, the application allows to configure almost any type of swing.

    With anaglyph glasses, a 3D mode gives an even more immerse experience.

    Music :
    Chapelier Fou - Postlude
    chapelierfou.com/

    An installation by lab212 - lab212.org

    # vimeo.com/36892768 Uploaded 164K Plays 50 Comments
  4. This is a year-long time-lapse study of the sky. A camera installed on the roof of the Exploratorium museum in San Francisco captured an image of the sky every 10 seconds. From these images, I created a mosaic of time-lapse movies, each showing a single day. The days are arranged in chronological order. My intent was to reveal the patterns of light and weather over the course of a year.

    More information at: http://www.murphlab.com/ahots

    The music is "Aerial" by Moby, from http://www.mobygratis.com (royalty-free music for independent filmmakers).

    # vimeo.com/32095756 Uploaded 574K Plays 83 Comments

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