Here's a look at the Movi on the Condorcam cablecam system for the initial test. Industry Denver gave us the go ahead to shoot in their space, which we strung up a line and went for it on a cold day in December. After the first few passes, we (Condorcam) were very pleased with the results. All "cast" in the video are all camera operators and techs...I have to say we had fun goofing off, "staging" shots, and being in front of the camera for this test. We did the test to see how the Movi 10 head acted with the Condorcam cablecam system with fast starts and sudden stops to slow moves. The Movi preformed better than I had thought and has made me a believer in the product. In fast moves and sudden stops, the horizon never changed...something at ALL cablecams have issues with with fast accelerations and sudden stops. Typically you get a little wobble or horizon sway, the Movi preformed beautifully with this, as seen in the footage...It was shot with the the RED Epic Camera, at 24 frames, with 48fps and 96 fps. Lenses were a 24mm and a 50mm. Span was around 170ft and went low to hight, starting around 3 feet off the ground to 8 feet hight. Enjoy!
A short film inspired by my son, Björn, who had 20 surgeries by the time he was 6 years old. He was born 3 months early and spent 3 months in the NICU at the hospital and then had home nursing for 6 years. He showed such amazing grace and bravery. He is Our Super Hero.
Actor - Björn Lindsey
Director/Writer - Jason Lindsey
Executive Producer - Talia Watkins
Director of Photography - Myles Beeson
Movi operators - Lucas Miller and Myles Beeson
Gaffer/Key Grip - Taylor Strohmeyer
Camera - Canon C100 with Atomos Ninja 2 Disk Recorder on a Movi M10
Filmed by FLoT and the BBC Global News crew, was shot entirely on the streets of New York City. It showcases the ease and speed at which the MoVI exists on set, in a moving taxi, while being controlled from another taxi.