Take a one eyed film maker, an unemployed engineer, and a vision for something that's never been done before and you have yourself the EyeBorg Project. Rob Spence, Kosta Grammatis and a team of others are trying to make history by embedding a video camera and a transmitter in a prosthetic eye. That eye is going in Robs eye socket, and will record the world from a perspective that's never been seen before.
This clip chronicles the first attempt at creating the eye-- a two week hiatus of getting parts, assembling, and testing. Obviously we need a lab, and a bit more time. Can someone donate an oscilloscope?
More info: eyeborgproject.com
SEOmoz CEO and Search Marketing expert, Rand Fishkin, tells you about the amazing suite of time and money saving tools and resources inside SEOmoz PRO, the premier suite of resources for organic Search Engine Optimization...see why our PRO service gives you an unfair advantage.
For 35 years, Edwin Japan have worked on improving efficiency, quality, construction and washing methods by studying and engineering machinery used in the denim manufacturing process.
It is impossible to improve what one makes without spending the time everyday to master what one does, turning ones profession into a craft. The denim technicians at Edwin are true craftsmen, as their commitment and attention to the product is unquestionably what makes the Edwin product stand out from the mass of denim available within the market today. Whilst this remains ‘production’, the working philosophy remains closer to a greatly more efficient and productive Artisanal method.
They are ‘engineers’. Each person, over the course of a long period is encouraged to be responsible for maintaining and improving their machines. This means that each machine is self-customised beyond standard industrial purposes, to create unique and specialised ways of making denim. Even within the well-known denim brands factories around the world, you will not see the level of customised machinery and attention to product that one can see at the Edwin factories in Japan. It is for this reason, many ‘core heritage’ Japanese denim brands wish to have their products made within the Edwin Japan factories. This is the unique strength of the Edwin Jeans brand, the product itself.
The majority of the technicians at the Edwin factories and laundry’s have worked within the company since the beginning. This means they have an acute understanding for their machine. Each technician is responsible for three machines on average, all performing different elements of the production process. They remain on these machines for the duration of the careers. There is almost now rotation of staff, offering complete consistency in the making.
The machines are completely unique and totally custom made, exclusively to EDWIN JAPAN, which sets EDWIN out as a denim manufacturer worldwide. There is not a single machine, which has not been customised by the technicians over the time they work on them.
The technicians themselves are trained for two years with a veteran of their particular machines, prior to them leaving for retirement. This ensures absolute consistency and understanding for high quality workmanship. As the factories have been operating 35 years, there is now a seeding of new, younger apprentices learning the ropes, thus setting of the career cycle.
There are many elements unique to EDWIN Japan manufacturing, for which unfortunately we are not able to show images. This is due to the secretive nature of the processes, elements having been invented by EDWIN, and must be respected and protected. There are a wide variety of processes invented by the denim engineers and designers themselves, which set new standards within the industry offering evolution and ingenuity.
The laundries are incredible, with bespoke and exclusively made machines. Unique ways of washing, dying, drying and above all water purification and recycling. The water is purified to the point whereby once all the indigo and other impurities have been extracted, fish are able to swim in tank of the purified water.
These elements have been in place for many years, and yet never spoken about or promoted as a marketing tool. This is because Edwin esteems this to be a ‘standard’ process. It is simply the way of EDWIN manufacture and not a simple ‘marketing’ idea.
'Red Rocks Fogg' by Forest Swords
The journey continues in Part III. Click here to watch the next in the series - vimeo.com/realmpictures/uwr1588
Explore The Underwater Realm further at theunderwaterrealm.com.
Watch the films as they were intended - big, loud and in maximum resolution!
Funded by Kickstarter
DIRECTED BY David M Reynolds
ASSISTANT DIRECTOR Alan Mandel
PRODUCER Jonathan Dupont
DIRECTOR OF PHOTGRAPHY Eve Hazelton
PRODUCTION DESIGN BY Shahriar Abdullah
MARINE COORDINATOR Rich Stevenson
EDITED BY Eve Hazelton
ORIGINAL SCORE BY Rob Westwood
SOUND DESIGN BY Michael Leaning & Luke Hatton
HAIR, MAKE UP & PROSTHETICS DESIGN BY Danny Marie Elias
COSTUME DESIGN BY Sarah Dutton
WORLD CREATED BY
David M Reynolds
DAN Dan Richardson
REBEKAH Lauren Ashcroft
OLD ARYL Diane Townsend
WALTER Andy Torbet
YOUNG ARYL Jenanne Redman
TEYO Jamie Matthews
IGNACIO Frederick Roll
SAILOR Alan Neal
SAILOR James Wagner
SAILOR Ray Delamare
SAILOR Mike Hall
SAILOR Geoff Murby
SAILOR Darren Murphy
SA ILOR Adrian Swain
LLANTUS Jessica Blake
CARNYN Venetia Maitland
WOREN Beccy MacEnri
SCAVENGER Josh Ockenden
SCAVENGER Alex Mackie
SCAVENGER Cullum Austin
SCAVENGER Miro Papay
SCAVENGER J-P Berry
CHIEF NESTOR Gareth Lawrence
LADY CONANT Harriet Moran
LORD CONANT Jon Campling
ROLAND Duran Fulton Brown
GUARD Rory Wilton
GUARD Graham Dack
AWAWRATH Haakon M A Smestad
ACINOS Nigel Barber
TERATH Alex Corbet Burcher
RAWSYN Conner McKenzy
IYSTYN Amanda Piery
ATALYN Daan Verhoeven
TENOS Daniel Nehme
QUINTUS Gordon Alexander
HARGRYN Sam Still
CRETUS Patt Bauristhene
STUNT COORDINATOR Mark Ruddick
SPECIAL EFFECTS SUPERVISOR (1588) Jenny Groves
PYROTECHNICS ASSISTANT Mike Evans
CASTING ASSISTANT Sian Deasy
HAIR & MAKE UP ASSISTANTS
COSTUME DESIGN ASSISTANT Katie Sampaio
COSTUME SUPERVISOR Samantha Kent
Anne Von Bengard
BOOM OPERATOR (1208) Chris Snelling
MUSIC PERFORMED BY Nigel Shaw
UNDERWATER CAMERA OPERATOR Rich Stevenson
UNDERWATER FOCUS ENGINEER Peter Hoare
UNDERWATER CAMERA ASSISTANT Clayton H. Haskell
CAMERA ASSISTANTS Phil Arntz & Andy Martin
CAMERA OPERATOR John Galione
FOCUS PULLER Veronica Keszthelyi
MARINE COORDINATION Diving & Marine Solutions
SURFACE SUPERVISOR Bryan Stanislas
VISUAL EFFECTS TEAM
Nana Kwasi Gyawu
DIGITAL ARTIST Lorenz Hideyoshi Ruwwe
TRACKING Ray Zschau
VISUAL EFFECTS Jan Herms
Darin Eaton II
ASSOCIATE PRODUCERS (KICKSTARTER)
Imran Farouk - Philip Bloom - Nick Ruddick - LateNite Films - Beth Ranjit
Tobit Emmens - Allar Kaasik - James Huston - Franck A. Onouviet
Alison M K Chapman - Jack Plumbley - Danny Cooke - Joel Chu
Josh Davies - Michael Curtis - Yael - Michael A. Riley - Joseph Hatfield
Michael Wallace - Gwyn Cole - Mick Jones - Roz Savage - Chris Portal
Jennifer Van Gessel - Lewis Oyeghe - George Chiesa - Volker Schönefeld
Shahnaz Dulaimy - James M Wagner - Stephanie Tobor - Harrison Sanborn
Roman Martinez - Alan Thompson - Paul Craig - Mahmood Al-Yousif
Mike Altmann - Sylvia A. Earle - LittleBigFilmCo - Xavier Rodriguez
Jonathan Jarrett - Darius Wilhere - Daniel Fahre - Izzy Pollak - Tom Walter
Kota - Hashiba - Lisa Williams - Alan Reynolds - Don Sausa - Opiyo Okeyo
Erik Kessler - Chris Anderson - Mark E. Phair - Erik Beeson - Jason Powell
Dave Millin and the team at Sea & Sea
Leisure @ Cheltenham
Alan & Michael Newell at Croft Farm
The Spitfire Society
Ben Von Wong