1. Just got our hands on our new Sony FS700 and wanted to do a quick test of the super slow motion mode from the air. Results turned out pretty killer. Big thanks to Paul Mudd for letting us play up at his place and for pouring an entire beer on himself so we could see what it looked like in slow motion! Behind the scenes footage by Scott Horn.

    # vimeo.com/45762381 Uploaded 155K Plays 147 Comments
  2. Here is a test shoot we did with the MōVI M10 and the RED Epic Infra Red body on the Hollywood Hills in Los Angeles CA. All footage was shot at 48 fps at 5K with a modified Epic camera. There is no post-stabilization whatsoever on any of the resulting shots - what you are seeing is straight out of the camera. A Canon 24mm T1.3 Prime was used with IR filter, as well as a series of Zeiss CP.2 lenses. To read the full article on how this was done go to: http://tinyurl.com/njhpsrl

    # vimeo.com/66698520 Uploaded 249K Plays 134 Comments
  3. Cinematographer Greg Wilson and Director Brendan Bellomo were asked by Vision Research and Abel CineTech to shoot the first test footage with the new Phantom Flex4K Digital Cinema Camera. The camera was a little more than a week old and still in its alpha prototype stage when we got our hands on it.

    All the live action footage was shot on March 24th, 2013. Some additional fire elements were shot on the 23rd and 25th of March with the Hebron and Glastonbury Fire Departments in Connecticut. We were thrilled with the camera's performance at this early stage of its development and are very much looking forward to this camera as it matures prior to it's release this fall. This is a true 4K RAW camera capable of at 1000fps at 4K resolution. Thanks to our great crew, including lead Phantom camera technician Edward Richardson, VRI and Abel CineTech for giving us the opportunity to shoot with this amazing new camera system. For more info check out twitter.com/phantomflex4k

    # vimeo.com/63490371 Uploaded 1.6M Plays 182 Comments
  4. Box explores the synthesis of real and digital space through projection-mapping onto moving surfaces. The short film documents a live performance, captured entirely in camera. http://www.botndolly.com/box

    CREDITS
    Directed by: BOT & DOLLY
    Executive Producer: Julia Gottlieb
    Producers: Bill Galusha, Nick Read
    Creative & Technical Director: Tarik Abdel-Gawad
    Design Director: Bradley G Munkowitz
    Lead Graphic Designers: Bradley G Munkowitz, Jason English Kerr
    3D Artists: Scott Pagano, Bradley G Munkowitz, Jason English Kerr, Conor Grebel
    2D Animators: Conor Grebel, Ben Hawkins, Pedro Figueira
    Director of Photography: Joe Picard
    Lighting Designers: Joe Picard, Phil Reyneri
    Projection / TouchDesigner: Phil Reyneri
    Robotics Animation: Tarik Abdel-Gawad, Brandon Kruysman, George Banks, Michael Beardsworth
    Robotics Operator: Michael Beardsworth, Brandon Kruysman
    Prop Fabrication: Matt Bitterman, Ethan Dale
    Script Supervisor: Ian Colon
    Sound Engineers: Joe Picard, Michael Beardsworth
    PAs: Sean Servis, Dakota Smith, Nico Mizono, Eric Wendel, Patrick Walsh
    Editors: Ashley Rodholm, Ian Colon
    Music / Sound Design: Keith Ruggiero
    Sound Mix: Joel Raabe
    Performers: Tarik Abdel-Gawad, Iris, Scout

    Uploaded 5.1M Plays 562 Comments
  5. Testing the BeeWorks 5 Kinetic Remote feature.

    Live on Kickstarter:
    https://www.kickstarter.com/projects/1499947228/bw05-camera-stabilization-with-kinetic-remote

    http://www.beeworksgear.com

    # vimeo.com/111450321 Uploaded 26K Plays 6 Comments

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Graham Owens

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