1. A last kiss, a last date, a last look into each others eyes.

    "Back to Solitude" (2011)
    Short film, 5 min.
    directed by Joschka Laukeninks

    joschka-laukeninks.de

    written and directed by Joschka Laukeninks
    starring Xenia Assenza & Constantin Lücke
    narrated by Alan Orpin
    edited by Vera Berg
    music composed by Jan-Peter Pflug
    sound design by Matthias Brattig
    director of photography Joschka Laukeninks
    flame artist Stefan Moog
    colourist Eike Rieche
    1st assistant camera Christian Grundey
    2nd assistant camera Simon Kaiser
    gaffer Jan Boltze
    best boy Manuel Bieker
    production manager Julian Schöneich
    1st ad Sebastian Rabe
    2nd ad Lena Steisslinger
    make up & hair Nicole Koslowski
    supporting actor Mario Kaspras

    supported by
    Magic Farm
    Loft Studios
    Cinegate Hamburg

    Thanks to my mother for doing the most delicious film catering on earth. ( :

    # vimeo.com/27764822 Uploaded 578K Plays 383 Comments
  2. The sequel Lost Memories 2.0 has just been released here:
    vimeo.com/152889154

    Paris, 2020.
    A beautiful couple, a city over-saturated by holograms and digital stream.
    A polaroid camera.
    Tomorrow will never be the same.

    Written, Directed and post-produced by Francois Ferracci.
    With Luka Kellou and Magali Heu
    Music by Alexandre fortuit

    Making of visual effects here: vimeo.com/49995678

    An interview about the film here:
    onesmallwindow.com/interviews/interview-with-francois-ferracci-the-director-of-lost-memories/

    # vimeo.com/49425975 Uploaded 1.5M Plays 258 Comments
  3. Working together with Onesize we created the Playgrounds festival opening titles. Basically it are two guys beating the shit out of each other. It was very important to give the movie a high end feeling. While there was a small budget it looks like it was created with a big budget. It has the look and feel of a movie filmed with an expensive high-speed camera. But actually the complete movie is build up out of photographs only.

    Quoted from Onesize (with whom I created this piece with):

    The film was created in little over 2 weeks.
    Playgrounds director Leon van Rooij asked us, like 6 months ago, if we wanted to do the titles for this years' fest.

    I quote: "Playgrounds is a two-day festival in Tilburg, the Netherlands, where you can see the best digital audiovisual art in the world, such as musicvideos, animations, commercials, character design, VFX and games AND you can find out how it's been made during artist lectures and Q&A's."

    Of course we said yes, because doing titles for festivals like these are rare opportunities. So we welcomed it with open arms.
    Next to that, we've been involved in the festival for 3 years now and we are the first ones to design a title sequence for this festival. What a burden... ;)
    With no creative brief and even less budget, we slowly started thinking, concepting, designing, thinking of how we could create something impressive, something new, something with a lot of production value but produce-able within 3 weeks and of course something we had not done before with our team, to challenge ourselves even more.

    We ended up with the idea to have 2 fighters fighting over whatever on a children's playground. Kind of a metaphor for a creative process, which can be a battle sometimes.. kill your darlings.. etc.. etc... Anyway, this could become visually very interesting, so we thought. We focused on the image, look and feel, a bit more than we used to this time, simply because we wanted to.
    We did some research, especially on the visual style in photography, the air we wanted the film to breath.
    Initially, the film needed to be very slow paced, almost like a dance on classical music in ultra slow motion, this was still the idea at the time when we shot the images.

    Just ultra slow motion, shooting with a phantom camera would not do the trick for us. We wanted to have more control over the slow motion in post production, still be be able to decide camera angles and motion. To do this we used the camera mapping technique in 3D.
    The production was made fairly simple compared to live-action shoots with high speed camera's shooting on location. By using this technique, simply because we only needed still images, we wrapped the shoot in 3 hours. Our photographer, Jasper Faber did an outstanding job by using only 2 flash lights, a camera and a macbook.

    In post production we changed the direction a little, we wanted more action. Jasper took a bunch of photo's which I found out could work just fine in a quick sequence. The contrast between the ultra slow-motion image and super fast paced short sequences made it more powerful and dramatized the impact of the slow motion sequence.
    Joris, our sound designer did what was necessary to enhance the impact even more.

    For the production of this shoot we contacted rotterdam based production company Revolver and asked them if they wanted to help us out producing the shoot.
    Luckily they said yes They just contracted photographer Jasper Faber who was willing to shoot the images and help us out with the production, since we knew that post production would be very time consuming. Revolver helped us out producing it, so we could focus on direction and post production.

    The people who saw it thus far, all responded to the film equally, asking the same question "... how did you shoot it, with a phantom?" .. no, it's all 3D.

    Credits:

    Direction & Post-Production - Onesize (onesize.com)
    Sound Design - Studio Takt (studio-takt.com)
    Production Company - Revolver (revolver.nl/)
    Producer - Dijana Olcay-Hot
    Photography - Jasper Faber (jasperfaber.com/photography.html)
    Fighter #1 - Jeroen Roos
    Fighter #2 - Cesario di Domenico
    Make-up - Elseline Hokke (elselinehokke.nl/)
    Location Scout - Hans v/d Berg

    Playgroundfestival: (playgroundsfestival.nl/)

    # vimeo.com/7160598 Uploaded 98.2K Plays 64 Comments
  4. We were delighted to be invited to create the opening titles for Stash’s Collider conference. It was a challeging project: not much in the way of time, budget or resources. But we were given a completely open creative brief, and we just couldn't resist getting involved.

    Take a look at how we made it here: vimeo.com/67890857

    A Neon Production
    Director: Rob Chiu
    Executive producer: Dexton Deboree
    Conceived & written by: Neon
    Creative directors: Neon
    Post production & visual effects: Neon
    Music & sound design: Box of Toys
    DOP: Paul O'Callaghan
    Focus Puller: Eric Young
    Wardrobe: Ewa Dziedic
    Actors: Jordan and Kaeden Chiu

    neon.tv
    @neonpictures

    # vimeo.com/67905126 Uploaded 11.5K Plays 21 Comments
  5. For our Winter R&D project, we wanted to make a skate film. Our goal was to create a series of impossible yet photo-real shots, putting us right in the middle of the action.

    The real trick was developing a process that would allow us to create these shots with a small team of artists (instead of the usual small army).

    Check out how we made it here: vimeo.com/55352521

    Creative, Production & Post-Production: Neon
    Skater - Danny Brady
    Director of Photography - Paul O'Callaghan
    Camera Assistant - Eric Young
    Music and Sound Design - Box of Toys Audio
    Location - Dido Hallett
    Spheron HDR - Mason Digital Mapping

    neon.tv
    @neonpictures

    # vimeo.com/55351695 Uploaded 279K Plays 120 Comments

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