1. Learn the basics of three point lighting and some of the tools for shooting Film Noir so you can start to analyse the look of films shot in this unique style. Then apply your knowledge to making your very own film noir.

    Take the full Filmmaker IQ course on Lighitng for Film Noir with sauce and bonus material at: filmmakeriq.com/courses/basics-lighting-film-noir/

    # vimeo.com/61871347 Uploaded 58.1K Plays 15 Comments
  2. If you’ve ever seen a movie, you’ve seen opening titles of some kind. Opening credits have existed pretty much since the beginning of moving pictures, and they are as varied as the films themselves.
    “THE FILM before THE FILM” is a short documentary that traces the evolution of title design through the history of film.
    This short film was a research project at the BTK (Berliner Technische Kunsthochschule) that takes a look at pioneers like Saul Bass, Maurice Binder and Kyle Cooper by showing the transitions from early film credits to the inclusion of digital techniques, a resurgence of old-school style, and filmmakers' love of typography in space.

    If you have any questions, comments or suggestions contact us at taketeundmaluma.de/contact

    CREDITS:

    Research:
    Nora Thös, Damian Pérez

    Animation & Cut:
    Nora Thös, Damian Pérez

    Text & Translation:
    Nora Thös, Christian Mahler

    Sound & Dubbing:
    Damian Pérez

    Proofreading & Voice:
    Demetrius Papadakis

    Professors:
    Christian Mahler, Daniel Wangen

    Special Thanks to:
    Ian Albinson for his suggestions and corrections.
    Art of the Title for the wide range of opening titles.

    # vimeo.com/60964497 Uploaded 199K Plays 81 Comments
  3. Trace the evolution of the screen shape from the silent film days through the widescreen explosion of the 50s, to the aspect ratio of modern digital cameras.

    Take the full Filmmaker IQ course on the History of Aspect Ratio with sauce and bonus material at: filmmakeriq.com/courses/history-aspect-ratio/

    # vimeo.com/68830569 Uploaded 547K Plays 163 Comments
  4. You can watch here MONEY, the next movie of the director of VOICE OVER:
    iTunes: apple.co/2tmB7VV ;
    Amazon DVD: amzn.to/2rEfBI4
    Youtube: youtube.com/watch?v=demPp6tOG0Q

    103 Awards, more than 300 selections, including:
    Nominated to the Spanish Academy Award 2013 (Goya)
    Melies D'or 2013 (Best European Fantastic Short Film), received in Sitges International Film Festival
    Tribeca Film Festival, official selection
    Clermont Ferrand 2013, official selection
    Gijon International Film Festival, Young Jury Award
    Chicago International Film Festival, Silver Plaque
    New York City Short Film Festival, Best of the Fest
    The Wrap Short List Film Festival, Audience Award
    The Smalls Film Festival (UK), Best Foreign Film
    Seattle Short Film Festival, Best Cinematography, Best Script, Best Art Direction
    Manhattan Short Film Festival, Bronce Medal
    Short Short Mexico Film Festival, Best Iberoamerican Film
    ZINEBI, Best Basque Short Film
    Elche Independent Film Festival, Best Short
    Curtmiratges, Organization Award; Best Director
    Alfas del Pi Film Festival, Best Short; Best Director
    Zaragoza Film Festival; Best Short
    San Sebastian Horror & Fantasy Film Festival; Best Short
    ...

    Synopsis: A French narrator jumps from one dramatic scene to another one, confused about the story that he is trying to tell and fighting with himself until he finally finds it.

    Starring Jonathan D. Mellor, Feodor Atkine
    Directed by Martin Rosete
    Written by Luiso Berdejo
    Produced by Koldo Zuazua
    Sebastian Alvarez
    Manuel Calvo
    The Rosete Brothers
    Cinematography by Jose Martin Rosete

    voice-over.es/en/
    therosetebrothers.com
    imdb.com/title/tt2123349/
    facebook.com/voiceover.short

    # vimeo.com/58150375 Uploaded 737K Plays 283 Comments
  5. An influential figure in film history, John Cassavetes is known as the father of independent film. His self-financed films portray his interest in the human individual and his or her emotional experiences, while the works themselves exemplify the non-traditional ways that a filmmaker is able to take in order to bring a story onto the screen.

    Art films aren't necessarily photography. It's feeling. If we can capture a feeling of a people, of a way of life, then we made a good picture. - John Cassavetes

    a-bittersweet-life.tumblr.com/
    twitter.com/#!/eanieves

    # vimeo.com/65820796 Uploaded 7,627 Plays 7 Comments

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