1. See into the creation of a surfboard like never before.

    Production Company: Brand New School NY

    Director: Jonathan Notaro
    CG Director: Vadim Turchin
    Editor:Jonathan Notaro, Sam Goetz
    Designer: Ricardo Villavicencio, Andre Sayler
    3D Artists: Andre Sayler, Bill Dorais, Ted Kotsafis, Jesse Franklin
    Producer: Samantha Weiss

    Audio: Machine Head
    Composer: Stephen Dewey

    For FUEL TV
    SVP & GM: CJ Olivares
    Creative Director: Todd Dever

    http://www.fuel.tv

    # vimeo.com/14103548 Uploaded 22.9K Plays 23 Comments
  2. Directed by Daihei Shibata.

    Winner Prix de la qualité technique, Festival International de Clip Paris, France. Official Selection Musiclip, International Music, Audiovisual Arts and Music Videos Festival of Barcelona, Spain and CVC, Vila do Conde, Portugal.

    This is the official vi­de­o­clip for the ad­vance single of :pa­per­cutz's new album "Do Outro Lado Do Es­pelho (Lylac Am­bient Reworks)" di­rected by Japan's ani­ma­tion re­ve­la­tion, Daihei Shi­bata. "Lylac (He­lios remix)" is a remix of :paper­cutz song by Ame­rican Keith Ken­niff (He­lios) whose Eingya album was con­si­dered one of the best in the year in the ins­tru­mental ca­te­gory for elec­tronic pu­bli­ca­tions as Pop­mat­ters, Stylus Ma­ga­zine, Tiny Mix Tapes and All Music Guide.

    Original lyrics:

    "We're lost on an artificial light;
    a white that blinds our human forms.
    Take me away, from this moment on we’ll be as one.

    But wait, I seem to recognize you.
    Your face reminds me of youth.
    Lifetime of changes taking place… taking place.

    We're all spinning round,
    letting it all go now, has never been easier.

    (It's the change of seasons...the tree of life)"

    ":pa­per­cutz pro­duce dreamy, ethe­real, ci­ne­matic works and ideal for de­cons­truc­ting and re­mi­xing. 'Do outro lado do es­pelho (Lylac am­bient reworks)' il­lus­trates how ma­te­rial can further blossom by the hand of some very ta­lented ar­tists. Do outro lado do es­pelho (transl: From the other side of the lo­o­king glass) means that this is their vi­sion of the album's songs in their par­ti­cular ar­tistic world... it has been an am­bi­tious pro­ject in­deed. :pa­per­cutz, He­lios, Emanuele Er­rante, Simon Scott, Taylor Deu­pree, He Can Jog, Ra­meses III, Au­tis­tici, Chris Bis­son­nette, The As­troboy, Jasper TX & Feu Follet all pro­vide re­mar­kable rewor­kings." Au­di­o­bulb Re­cords

    Full ar­tist list and Line-up:

    Taylor Deu­pree (12k), Jasper TX (Mi­asmah, Fe­netre Re­cords), Chris Bis­son­nette (Kranky), He­lios (Type Re­cords), Ema­nuele Er­rante (Ape­ge­nine re­cor­dings, Somnia), Ra­meses III (Type Re­cords), The As­troboy (Test Tube/Cobra), Au­tis­tici(12k / Au­di­o­bulb re­cords), Feu Follet (Ex Ovo), Simon Scott (Mi­asmah), He can Jog (Au­di­o­bulb Records/Home Normal), :pa­per­cutz (Ape­ge­nine / Au­di­o­bulb Re­cords).

    For more in­for­ma­tion please visit:
    http://www.audiobulb.com
    http://www.papercutzed.com

    Re­le­ased by: Au­di­o­bulb Re­cords

    Re­lease/ca­ta­logue number: AB029

    Re­lease date: May 24, 2010

    Join us at :: http://facebook.com/PAPERCUTZ || http://soundcloud.com/PAPERCUTZ

    # vimeo.com/11685192 Uploaded 41.3K Plays 24 Comments
  3. After Effects CS4, Trapcode Particular, Maya 2010, music by Kola Kid

    # vimeo.com/10287331 Uploaded 36K Plays 43 Comments
  4. this is intended to mimic cinema4d's "MoGraph Tracer" functionality.
    You can download the "ICE MoGraph" tool collection from here
    http://area.autodesk.com/downloads/plugins/ice_mograph_v1_2
    or here
    http://rapidshare.com/files/292811007/ICE_MoGraph_v1.2.rar

    # vimeo.com/7045028 Uploaded 4,033 Plays 2 Comments
  5. Galactic Mail is a project I directed and crafted with my friend Jonathan Vuillemin. It was produced by The Mill in 2008. Softimage was used as the main animation tool.

    More work here: http://douglaslassance.com
    Our producers there: http://themill.com

    # vimeo.com/2251254 Uploaded 140K Plays 171 Comments

INSPIRATION

Richard Drumm

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