1. It's 2150

    There are all sorts of Aliens living throughout space.
    Johnny is a Space Delivery Man who travels to different planets to deliver packages.
    Johnny is lazy and his only desire is to sleep in his autopilot spaceship.
    when the spaceship arrives at the destination, all he has to do is simply deliver the box.
    However, it never goes as planned. Johnny encounters strange and bizarre planets
    and always seems to cause trouble on his delivery route.

    Will he be able to finish his mission without trouble?

    # vimeo.com/94502406 Uploaded 5.6M Plays 664 Comments
  2. A man takes the subway. Inside his brain, a countdown clock hits zero and a little person prepares for lift-off. The man sneezes.

    Watch it in stereo 3D
    vimeo.com/davidbk/bless-you-3d

    Credits
    Directed and Animated by: David Barlow-Krelina
    Music and Sound Design: Greg Debicki (http://soundcloud.com/gregdebicki)
    Voice: Chris Wilding (http://bqwsc.com/)

    Screenings
    Ottawa International Animation Festival, Canada (2013)
    The Animation Show of Shows, USA (2013)
    Toronto After Dark Film Festival, Canada (2013)
    Animated Dreams 15, Estonia (2013)
    Florida Film Festival, USA (2014)
    Dawson City International Short Film Festival, Canada (2014)
    Northwest Animation Festival, USA (2014)
    Melbourne International Animation Festival, Australia (2014)
    Toronto Animation Arts Festival, Canada (2014)

    # vimeo.com/73022720 Uploaded 270K Plays 72 Comments
  3. Making of film directed by Jake & Josh
    jakeandjosh.co.uk

    The Bear & the Hare is the first John Lewis campaign to embrace the emotive power of animation, a filmic technique so evocative of Christmasses gone by.

    Elliot and Yves took the two most traditional and time-honoured animation processes – stop-motion and traditional hand-drawn 2D animation – and combined them to create something innovative and unique. Their aim was to do almost everything in camera, using real lighting, lens and film craft to build a world where the audience can see and feel the painstaking work behind it. The 2D animation’s physical interaction with the set and the human imperfections inherent in the process create a hand-crafted piece full of heart and integrity.

    The animation process involved constant shifts between 2D and 3D worlds. In order to achieve this complicated combination the whole film was first created in Blinkink Studios as a 3D previsualisation animatic with all the sets and characters built to scale. This allowed everything to be developed and planned alongside the modelmakers and animators, thus integrating the different disciplines and processes before the set was built or the characters were printed.

    Aaron Blaise (Brother Bear, The Lion King, Mulan) and his team of veteran Disney animators at Premise Entertainment in Orlando, Florida, designed and animated the characters. The 2D-animation frames were printed onto mounted paper and cut with a laser. Each frame (nearly 4,000 in total) was then individually hand-labelled before going on set. Feature-film stop-frame animators then spent 6 weeks bringing the world to life.

    The set was built by our production designer John Lee (Aliens, Fantastic Mr Fox, Frankenweenie) and his team at Shepperton Studios before being transported to Clapham Road Studios ready for the stop-motion shoot.

    Post-production was done in-house in Blinkink’s animation studio, and the final grade was completed at MPC.

    CREDITS

    Directors:
    Elliot Dear & Yves Geleyn

    Executive Producers:
    Bart Yates
    Michael Feder

    Producers:
    Bart Yates
    James Stevenson Bretton
    Josephine Gallagher

    Line Producer:
    Kev Harwood

    Production Manager:
    Benjamin Lole

    2D Animation:
    Premise Entertainment LLC

    2D Animation Supervisors:
    Aaron Blaise
    Dominic Carola

    2D Line Producer:
    Iris Pearson

    2D Animators:
    Erin Humiston
    Darko Cesar

    Head of Clean-up 2D Animation:
    Janelle Bell-Martin

    2D Clean-up Artists:
    Mi Yul Lee
    Teresa Quezada-Geer
    Jacque Pierro
    Chad Thompson
    Jason Peltz

    2D Compositor/Scene Setup:
    Mac Masters

    2D Artistic Coordinator:
    Pam Darley

    2D Digital Artist:
    Anthony West
    Enoc Castaneda

    2D Lead Colourist/Coordinator:
    James Lancett

    2D Colourists:
    Sean Weston
    Joseph Sparkes
    Frankie Swan
    Harriet Gillian

    Assistant 2D Colourist:
    Lila Peuscet

    2D Illustrator Technician:
    Albert Sala

    Printers:
    The Graphical Tree

    Laser Cutting:
    Ewen Dickie

    Designer/Typographer:
    Robert Frank Hunter

    Storyboard Artists:
    Sav Akyuz
    Steve Tappin
    James Lancett
    Robert Frank Hunter

    3D Technical Director:
    Patrick Hearn

    3D Previsualisation Artist:
    Simone Ghilardotti
    Lucas Cuenca
    Johannes Sambs

    Lead Stop-Frame Animator:
    Andy Biddle

    Stop-Frame Animators:
    Daniel Ojari
    Daniel Gill

    Production Designer/ Supervising Modeller:
    John Lee

    Art Department Modellers:
    Colin Armitage
    Sonya Yu
    Maggie Haden
    Collette Pidgeon
    Yossel Simpson Little
    Richard Blakey
    Gary Welch
    Christy Matta
    Lucy Begent

    Scenic Painters:
    Fiona Stewart
    Beth Quinton

    Rigging Department:
    Richard Blakey

    Art Department Assistants:
    Morgan Faverty
    Anna Ginsburg
    Jennifer Newman

    MOCO/Camera Assistant:
    Max Halstead

    Director of Photography:
    Toby Howell

    Gaffer:
    Aldo Camilleri

    Runner:
    Robert Gould

    Post Production:
    Blinkink Studios

    Post Production/Compositing:
    Alasdair Brotherston
    Ian Sargent
    Carlos Diego
    Jonathan Gallagher
    Elliot Dear

    Editors:
    Sam Sneade at Speade
    Ellie Johnson at Speade

    Music Consultants:
    Leland Music

    Sound Design:
    Sam Robson at Factory Studios

    Colourist:
    Jean-Clement Soret at MPC

    ‘Making of’ Film:
    Jake Hopwell & Josh Hine

    Studio Manager:
    Elizabeth Day

    Studio Assistant:
    Toby Goodyear

    Catering:
    Laura Barbi

    Advertising Agency:
    Adam & Eve DDB

    Executive Creative Director:
    Ben Priest

    Creative Directors:
    Aidan McClure Laurent Simon

    Agency Producer:
    Anthony Falco

    Assistant Producer:
    Catherine Cullen

    # vimeo.com/78254514 Uploaded 1.4M Plays 253 Comments
  4. The John Lewis Christmas campaign has become a symbol of the start of the British Christmas season, and Hornet is proud to present The Bear & The Hare, Yves Geleyn’s heartwarming animated film for John Lewis and Adam & Eve DDB.

    There once was an animal who had never seen Christmas. As autumn winds turn to winter snow, the bear begins his annual retreat into hibernation to sleep his way through the best part of the year. The festive spirit is strong though, and his friend the hare is determined to give him a gift he has never received before – Christmas.

    This is a classic Christmas tale in the John Lewis tradition, but the scale of the project and the innovative combination of animated techniques involved in creating it are unprecedented. The marriage of traditional hand-drawn 2D animation with stop-frame model animation creates a tangible world full of texture and detail that conveys the honesty behind the John Lewis Christmas message.

    Newsletter Signup: eepurl.com/t_kpf • Like: facebook.com/hornetinc • Follow: twitter.com/hornetinc

    To see how we made the film: vimeo.com/78836360#at=2

    # vimeo.com/78834424 Uploaded 692K Plays 73 Comments
  5. Download the extended track for free exclusively via the link below
    amaroandwalden.com

    To see how we made the film, visit thelineanimation.com/amaroandwaldensjoyride/

    Directed & Produced by;
    Tim McCourt and Max Taylor

    Character Design;
    Tim McCourt

    Design
    Tim McCourt and Max Taylor

    Direct of Photography
    Andrew Corrigan

    Music;
    Hugo ‘Beats’ Chegwin, Fred Berry

    Editing;
    Tim McCourt, Max Taylor, Julia Knight

    Animation;
    Peter Dodd, Jonathan Djob Nkondo, Tim McCourt, Wesley Louis, Sam Taylor,
    Bjorn Aschim, James Duveen, Kristian Antonelli

    FX Animation;
    Duncan Gist

    Clean Up;
    Tim McCourt, Duncan Gist, Aude Carpentier, Sam Taylor, Imre Horváth,
    James Duveen, Iria Lopez

    Colour;
    Tim McCourt, Max Taylor, Duncan Gist

    Compositing;
    Max Taylor, James Belch, Anna Sigüenza, Chris Fraser

    Colourist;
    Aubrey Woodwiss

    Colour Assist;
    Lewis Cross Field

    Starring;
    Suggs, Lauren Hedges, Eugenia Simo Grijalbo, 3 Legged Dog, Oliver Macintosh

    Production assistant;
    Dan Jessop

    # vimeo.com/128418807 Uploaded 480K Plays 303 Comments

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Sergio Tapia

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