Narration by Kyle Cooper of Prologue Films. Video collaboration between Melcher Media, Prologue and Erik Natzke of Adobe for Adobe MAX 2013 rallies the creative community around the ability to have real, meaningful impact on the world. Featuring the work of almost 100 different artists, designers and photographers, Adobe Creative Class reminds us of a simple thing: Imagination matters. It's not just decoration, it's revolution! In JPEGs.
Director Bryan H. Carroll captured the intricacies of the motorcycling world for his documentary, "Why We Ride", by selecting a camera that kept up with speeding bikes and could produce an image that was just as beautiful as the anecdotes shared by the diverse group of riders he profiled. Bryan chose the Cinema EOS C500 and Canon Cinema optics, allowing him to shoot in 4K at rates up to 120 frames per second. No wonder the American Motorcyclists Association (AMA) named Bryan and producer James Walker 2014 Motorcyclists of the Year.
Go behind the scenes with director Dave Meyers and his crew as they shoot a Canon PowerShot commercial in 2K with a Cinema EOS C500. John Veleta, DIT gives an in depth tour of the shoot's workflow and camera configuration, while DP Marcelo Durst explains some of the benefits the EOS C500 brings to the table.