1. WINNER OF THE VIMEO AWARDS 2012 in CATEGORY MOTION GRAPHICS! Thanks so much for voting everyone! Watch a short 1 min. making of here, which was shown at the awards: vimeo.com/44046584

    Graduation project 2011
    Designed as a possible title sequence for a fictitious documentary, this film shows a history of the title sequence in a nutshell. The sequence includes all the names of title designers who had a revolutionary impact on the history and evolution of the title sequence. The names of the title designers all refer to specific characteristics of the revolutionary titles that they designed.
    This film refers to elements such as the cut and shifted characters of Saul Bass' Psycho title, the colored circles of Maurice Binder's design for Dr. No and the contemporary designs of Kyle Cooper and Danny Yount.

    This title sequence refers to the following designers and their titles:
    Georges Méliès - Un Voyage Dans La Lune, Saul Bass - Psycho, Maurice Binder - Dr. No, Stephen Frankfurt - To Kill A Mockingbird, Pablo Ferro - Dr. Strangelove, Richard Greenberg - Alien, Kyle Cooper - Seven, Danny Yount - Kiss Kiss Bang Bang / Sherlock Holmes

    CREDITS

    Direction and Animation: Jurjen Versteeg / synple.nl
    Music and sound design: Lea Jurida / jurida.com

    Many thanks to all the people who helped me realizing this project!

    For some more info on the concept and the production process, please check out the interview on 'Forget the Film, Watch The Titles': http://bit.ly/pzvXXE

    Watch a short 1min. making of here: vimeo.com/44046584

    # vimeo.com/26278283 Uploaded 616K Plays 323 Comments
  2. This performance was for LoveTechSF.com in San Francisco. It's a collection of artists and musicians that also contains a major component they call LearnTech, where artists and visualists present their setups and show their methodology in a workshop setting. As such, we've all learned a lot very quickly.

    CSTNG-SHDWS is Colin Sebestyen and Justin Metros.

    For this promo video, we are syncing to prerecorded Nonagon tracks, however, the performance was all live. Nonagon has a MAX patch that sends his monome and MIDI data to control Ableton live. We split this signal and used his data for our VDMX setups. Justin and I VJ in VDMX exclusively, however, our real focus is interactive and motion graphic design.

    Nonagon (JB Kirby) is a brilliant guy, he programs AI during his days and makes soulful computer music at night. In working and discussing with him, we had a lot of creative discussions- sacred geometry, decay, math in the natural world and etc. His music was in progress for this show, and we designed visual packs that he could approve and give influence to his sonic landscapes.

    We typically design and sketch out our ideas, and then design in Cinema 4D and After Effects for our motion loops. For a final round of approval, we typically create polished motion loops, and then remove as many of the extraneous effects as possible so we can recreate and control the effects live using effects chains in VDMX.

    Justin has a programing background, so we have messed with programatic visualism (Quartz, Flash, etc) however, we have found that the design sensibility typically suffers as opposed to a loop based approach.

    There are three tracks in this promo... the live show was much longer, about 10 tracks or 45 minutes. We had a live vocalist in Angie Donkin and her violinist. They had both worked with Nonagon- The violinist we could not glean any data off of, so our data inputs were nonagon's MIDI feed and of course, the live audio levels. The violinist, however, had effect pedals that he utilized and added a beautiful organic feel over the whole set.

    There are three tracks represented in the promo - First, "Fixed Action Pattern"- in which Justin and myself researched as much about geometry and nonagons, specifically. We looked at the number nine and it's representation in the natural world as much as we could. We used 9 as our random seed in our flocking simulations, generated nonagons in dozens of configurations.

    For "Mr Sniggles House", we used timelapse to capture an overhead projector with various natural live detritus occluding the light beams- feeder crickets, worms, beta fish, all acquired at the local pet store (and returned to nature when their staring roles concluded) and also created a live font using address stencils.

    For "Kontrol (I wish you were here)" We worked with Nonagon + Angie and created projection mapped scenes of original photography of tokyo and spain. Using a live font we created for a corporate job! (check out hopebeyondthehype.com) we visualized the loss, yearning, and emotion in the song.

    We mixed using a standard V4 Video mixer and projected. It was a bunch of work, but also satisfying in the crowd response.

    @colin_movecraft
    nonagon.net
    cstng-shdws.com
    movecraft.com
    lovetechsf.com

    # vimeo.com/9502411 Uploaded 9,262 Plays 11 Comments

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