1. Não só uma comida, mas um capítulo vital. Elas tem histórias sociais, econômicas e simbólicas complexas. Gostar do seu gosto não é inato, mas cultivo no emaranhado da história, seu gosto é forjado no tempo entre interesses, necessidades e signos culturais, entre os meios. Deflagra pontos de partida, movimentações, pertencimentos marcados por diferenças, representações, preferências e repulsas, procedimentos e ingredientes submersos em sistemas. O ritual sempre convidou a comensalidade. Comungamos o paradoxo do onívoro ansioso por novidade, variação, inovação, exploração e mudança para sobreviver, convivemos do mesmo modo com o alimento desconhecido como perigoso, somos risco ou não somos.

    # vimeo.com/97552669 Uploaded 131K Plays 2 Comments
  2. 29-30 Νοεμβρίου 2014

    # vimeo.com/112040363 Uploaded 101K Plays 0 Comments
  3. A choreographic essay on dancer's ecology within its natural biotope

    Out there a zebra herd in the Serengeti plains. Here 20 professional and non-professional dancers on a dance mat. Two different ecosystems, two different habitats, one same approach. Les Animaux explores notions of environment and performer. The piece does not so much aim to develop myths, body language or affects linked to the idea of animality than to evoke - not without humor - the ecology of the dancer as if its biotope was the stage. YoungSoon Cho Jaquet continues her work on sharing by inviting 8 professional and 12 non-professional dancers to join a vast choreography based on physicality. Here the body is a founding principle as vivacious and dynamic movements define space and dramaturgy. Like the spectators of a wildlife documentary film such Microcosmos the audience witnesses the amusing, ambiguous or fascinating behavior of a few interesting specimens of the black box.

    more info: cienuna.com

    CAST&CREDIT
    concept&choreography: YoungSoon Cho Jaquet
    Performers: Lorenzo de Angelis, Elodie Aubonney, Marion Duval, Nordine Hamimouch, Piera Honegger, Aurélien Patouillard, Pauline Wassermann, Mike Winter, and twelve non-professional dancers
    Lights: Antoine Friderici
    Music&Sound: Jérémie Conne et Christian Pahud
    Costumes: Tania d’Ambrogio
    Dramaturgy & research &: Christophe Jaquet
    Visual communication: Jonas Marguet
    Assistant: Céline Zufferey & Eléonore Heiniger
    Video: Bastien Genoux
    Production & booking: Michael Scheuplein
    Coproduction: Arsenic – Centre d’art scénique contemporain - Lausanne
    Support: Affaires culturelles de l’État de Vaud, Ville de Lausanne, Pro Helvetia, Loterie Romande, Société Suisse des Auteurs, Fondation Ernst Göhner, Fondation Leenaards

    # vimeo.com/92916799 Uploaded 88K Plays 0 Comments
  4. # vimeo.com/107398208 Uploaded
  5. (English text below)

    Final de la acción "Sevillian Area" realizada en el Festival de Arte Sonoro Hispano- Alemán FASE 2012. Berlín, 26 mayo 2012.
    Mi consideracion sobre el estereotipo de los nacidos en mi ciudad natal, "los sevillanos" no es muy alagüeña: Son provincianos, anclados en las tradiciones del siglo XIX, están enamorados de su ciudad y su forma de ser. El cambio es una violencia. Cuando viajan de turistas (y es dificil porque siendo Sevilla "lo mas bonito del mundo" no le ven mucho aliciente a viajar) en seguida buscan lo que ya conocen o se lo construyen: con su hablar en voz alta, la gestualidad, su forma de ser y estar.
    Por otra parte el dinero destinado a cultura en Andalucia está principlamente destinado a preservación del patrimonio y las costumbres, su principal interés e industria es el turismo del tópico, de la estampita. Lo contemporáneo tiene poca cabida y si encima si es también local, es hasta perseguido.
    Afortunadamente no todos los de Sevilla son "sevillanos".
    En esta performance hago un ejercicio de embajadora de esa Sevilla, la de la imagen del tópico, pero tambien de invasora, creando desde mi y expandiendo a mi alrededor un poco de patria chica, la zona de lunares, de fonética propia, de baile y jaleo. Un ejercico irónico de la imagen y la ocupación a la que parece que nos encaminan cada vez más los poderes locales: ser los habitantes de un parque temático.
    Performance para ser ejecutada en el extranjero.

    Ending of the performance "Sevillian Area" carried out in the FASE - Spanish - German Sound Art Festival. Berlin, May 26 2012.
    My consideration about the stereotype of the persons born in my hometown, "the Sevillians" is not very good: I think they are provincial, anchored in the traditions of the nineteenth century, they are in love with their city and their way of being. Change is a violence. When they travel abroad as turists (and that is unlikely to happen because being Sevilla "the most beautiful thing in the world" they don´t see much incentive in travelling) they inmediately search for what they already know or they build it: with their talking aloud, the gestures, attitude, they way of occuping the space where their are.
    On the other hand, the money spent on culture in Andalusia is principally aimed at preservation of the heritage and customs, their main interest and industry is the tourism of the topic, of the vignettes. The contemporary has little consideration, and if it´s origin is from local people is even pursued.
    Fortunately not all the people born or living in Sevilla are "Sevillians".
    In this performance I do an exercise as ambassador of that Seville, the one of the tipical-topical, but also a invader, creating a little space similar to my homeland , starting from me and expanding it around, the area of polka-dots, our phonetic, dance and "jaleo". An ironic exercise about the image and the occupation to which it seems that we are been pushed more and more by the local authorities: be the inhabitants of a theme park.
    A performance to be done abroad (from spain).

    # vimeo.com/43376675 Uploaded 59K Plays 4 Comments

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