The process started in the edit room with the creative team — including the Academy’s director Marcus Söderlund — talking about the ways of aurally capturing the “quiet epicness” of the visceral power of jet engines.

We listened to every airplane sound imaginable to create various tonal atmospheres for the ending. This piece allowed us to experiment with different layers, tones and structuring. The result was a soundtrack for soaring basketball players, in which roaring engines dissolve into a subtle, melancholic melody.

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Nisrin Aziz

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