Justice, Busy P, SebastiAn and DJ Medhi came, saw and conquered NYC in March and left us hungry for more Ed Banger...bangers. There's just something so heavy and undeniable and balls deep about the Ed Banger jams that we can't get enough. Check out the 9+ minute mix Feadz made for us of the head bob-inducing tracks from Ed Rec Vol 2. Featuring the guys who were part of the Ed Rec tour as well as Uffie, So Me, Krazy Baldhead and Vicarious Bliss, among others - this mix is sure to inspire all sorts of French-related activities.
Justice's monster beats, massive hooks, thunderous drums, and near-religious determination to demolish dance floors cast them in a light no contemporary can catch. The group's US debut single, "Waters Of Nazareth" arrived in 2006 and solidified their sound: huge slabs of beats, brutal strings, and cathartic release. That record sets the stage for this, their debut full-length, boasting the already ubiquitous disco pop anthem "D.A.N.C.E.", which features the best English children's choir since "Another Brick In The Wall Pt. 2".
DIRECTOR Chel White
STUDIO Bent Image Lab - bentimagelab.com
MUSIC BY Thom Yorke
Radiohead frontman Thom Yorke describes this song as his most political work. "Harrowdown Hill," is part of Yorke's solo album, "The Eraser," which released in August 2006. After seeing the short films of Chel White, Yorke sought him out to direct his next music video.
White, who is co-founder of Bent Image Lab in Portland, OR, chose to incorporate an innovative technique that he and the rest of the Bent artists had been researching previous to this project. Dubbed Smallgantics, the technique takes footage of large objects (rivers, factories, city skylines) and makes them appear as though they are actually miniatures. In "Harrowdown Hill," Chel used aerial footage to be miniaturized using Smallgantics.
Smallgantics, inspired by tilt-shift photography, took the principles inherent with using tilt-shift lenses (lenses that sit at an angle in comparison to the film plane, creating a sloped focal plane which can at times simulate short depth of field and can distort the apparent size of subjects), and pushed them to a new level. Instead of the apparent blurriness of the subject matter being dependent on its vertical alignment in the picture, Bent broke the image up into its apparent planes of depth. So, just like in actual shallow depth of field, it is the subject's proximity to the lens that determines its sharpness.
The process involves splitting the footage up into several vertical planes that move back over the perceived z-axis, or into the image along its perceived depth. These planes are then affected with varying degrees of blur to simulate a shallow depth of field. If done right, the amount of blur increases smoothly as it moves along the planes of the image. Next, these levels of blur are animated to simulate a change in focus or to compensate for the forward movement of the camera.
Chel White's video for Thom Yorke's, "Harrowdown Hill," won Best Music Video at South by Southwest (SXSW) 2007, ResFest 10, and The Worldwide Short Film Festival. It was nominated for Best Music Video and Best Special Effects at MVPA and FutureShorts.
"The winner of this year's South by Southwest (SXSW) music video award is described as 'a quietly intense call to consciousness in an age of disinformation, preemptive war and unprecedented governmental secrecy.' Thom Yorke's 'Harrowdown Hill,' directed by Chel White, offers a visually compelling bird's eye view of some of the biggest challenges facing our society today, including global warming and petroleum consumption." -MusicVideoWire.com