1. GRADUATION PROJECT.
    Animation which shows typography evolution from paper to screen.
    The animation is divided in two parts.
    The first deals with the basic rules of typesetting.
    The second, is about the evolution of typography in cinema.
    Used mainly for Opening and Closing title.

    Music :
    Clair de Lune - Debussy
    Shoot the Piano Player: Poursuite - Hugh Wolff & London Sinfonietta - Georges Delerue

    # vimeo.com/69375692 Uploaded 606K Plays 154 Comments
  2. I'm testing an experimental process of printing out still frames from videos and using them to create these transitions. Hope you enjoy. Thank you for watching!

    Thanks to Kevin McAlpine for the song / audio work! kevinmcalpine@gmail[dot]com

    # vimeo.com/64686559 Uploaded 924K Plays 138 Comments
  3. The faces of class, wealth, history and tensions between individualism and conformity in British society are explored in this visual journey from East (E5) to West London (SW7). Consisting of almost 4000 images of the city's residences taken in 2009 and 2010.

    Shot using an Iphone using the sculpture that you can see in the images one the right.

    Finished on 35mm with a wonderfully spatial 5.1 mix it (which unfortunately you can't hear here)
    Sound: Sandy Milne.
    Titles: Ray O' Meara

    Premiered at Wavelengths, Toronto International Film Festival 2010, curated by Andréa Picard.

    Winner of London International Documentary Festival "my street" Award 2011

    # vimeo.com/11932078 Uploaded 47.9K Plays 28 Comments
  4. 24 hours human timelapse, shot on a roof in Paris for 24 hours non-stop, 1 frame every 16 seconds, from 11am till 11am.
    "The heart never sleeps..."
    --
    Directors: Chic & Artistic
    Production Company: Chic & Artistic Unlimited
    --
    Dan Black's Human time-lapse / Paris Crew
    --
    DOP: Bruno Pellarin / Gwen Le Bras @ Zoo Studio
    Set Decorator: Géraldine Nicolo
    Assistant Set Decorator: Eli Serres
    Characters Designer: Maddlyne Di Mino
    Monsters Talents: Aurélien Branco, Henry Scotland
    Roof Terrace: BETC
    --
    Kelis's Shoot / Roma Crew
    --
    DOP: Giuseppe Mottola
    Gaffer: Giulio Bastione
    Hair / Make up Artist: Claudio Ferri
    Studio Location: Marconi Studios
    --
    Post Production: Chic & Artistic
    Supervisor / Animation and Compositing: Barbara Toth
    Graphic Design: Chic & Artistic
    Intern: Ambre Simon

    # vimeo.com/66798838 Uploaded 127K Plays 40 Comments
  5. Making of film directed by Jake & Josh
    jakeandjosh.co.uk

    The Bear & the Hare is the first John Lewis campaign to embrace the emotive power of animation, a filmic technique so evocative of Christmasses gone by.

    Elliot and Yves took the two most traditional and time-honoured animation processes – stop-motion and traditional hand-drawn 2D animation – and combined them to create something innovative and unique. Their aim was to do almost everything in camera, using real lighting, lens and film craft to build a world where the audience can see and feel the painstaking work behind it. The 2D animation’s physical interaction with the set and the human imperfections inherent in the process create a hand-crafted piece full of heart and integrity.

    The animation process involved constant shifts between 2D and 3D worlds. In order to achieve this complicated combination the whole film was first created in Blinkink Studios as a 3D previsualisation animatic with all the sets and characters built to scale. This allowed everything to be developed and planned alongside the modelmakers and animators, thus integrating the different disciplines and processes before the set was built or the characters were printed.

    Aaron Blaise (Brother Bear, The Lion King, Mulan) and his team of veteran Disney animators at Premise Entertainment in Orlando, Florida, designed and animated the characters. The 2D-animation frames were printed onto mounted paper and cut with a laser. Each frame (nearly 4,000 in total) was then individually hand-labelled before going on set. Feature-film stop-frame animators then spent 6 weeks bringing the world to life.

    The set was built by our production designer John Lee (Aliens, Fantastic Mr Fox, Frankenweenie) and his team at Shepperton Studios before being transported to Clapham Road Studios ready for the stop-motion shoot.

    Post-production was done in-house in Blinkink’s animation studio, and the final grade was completed at MPC.

    CREDITS

    Directors:
    Elliot Dear & Yves Geleyn

    Executive Producers:
    Bart Yates
    Michael Feder

    Producers:
    Bart Yates
    James Stevenson Bretton
    Josephine Gallagher

    Line Producer:
    Kev Harwood

    Production Manager:
    Benjamin Lole

    2D Animation:
    Premise Entertainment LLC

    2D Animation Supervisors:
    Aaron Blaise
    Dominic Carola

    2D Line Producer:
    Iris Pearson

    2D Animators:
    Erin Humiston
    Darko Cesar

    Head of Clean-up 2D Animation:
    Janelle Bell-Martin

    2D Clean-up Artists:
    Mi Yul Lee
    Teresa Quezada-Geer
    Jacque Pierro
    Chad Thompson
    Jason Peltz

    2D Compositor/Scene Setup:
    Mac Masters

    2D Artistic Coordinator:
    Pam Darley

    2D Digital Artist:
    Anthony West
    Enoc Castaneda

    2D Lead Colourist/Coordinator:
    James Lancett

    2D Colourists:
    Sean Weston
    Joseph Sparkes
    Frankie Swan
    Harriet Gillian

    Assistant 2D Colourist:
    Lila Peuscet

    2D Illustrator Technician:
    Albert Sala

    Printers:
    The Graphical Tree

    Laser Cutting:
    Ewen Dickie

    Designer/Typographer:
    Robert Frank Hunter

    Storyboard Artists:
    Sav Akyuz
    Steve Tappin
    James Lancett
    Robert Frank Hunter

    3D Technical Director:
    Patrick Hearn

    3D Previsualisation Artist:
    Simone Ghilardotti
    Lucas Cuenca
    Johannes Sambs

    Lead Stop-Frame Animator:
    Andy Biddle

    Stop-Frame Animators:
    Daniel Ojari
    Daniel Gill

    Production Designer/ Supervising Modeller:
    John Lee

    Art Department Modellers:
    Colin Armitage
    Sonya Yu
    Maggie Haden
    Collette Pidgeon
    Yossel Simpson Little
    Richard Blakey
    Gary Welch
    Christy Matta
    Lucy Begent

    Scenic Painters:
    Fiona Stewart
    Beth Quinton

    Rigging Department:
    Richard Blakey

    Art Department Assistants:
    Morgan Faverty
    Anna Ginsburg
    Jennifer Newman

    MOCO/Camera Assistant:
    Max Halstead

    Director of Photography:
    Toby Howell

    Gaffer:
    Aldo Camilleri

    Runner:
    Robert Gould

    Post Production:
    Blinkink Studios

    Post Production/Compositing:
    Alasdair Brotherston
    Ian Sargent
    Carlos Diego
    Jonathan Gallagher
    Elliot Dear

    Editors:
    Sam Sneade at Speade
    Ellie Johnson at Speade

    Music Consultants:
    Leland Music

    Sound Design:
    Sam Robson at Factory Studios

    Colourist:
    Jean-Clement Soret at MPC

    ‘Making of’ Film:
    Jake Hopwell & Josh Hine

    Studio Manager:
    Elizabeth Day

    Studio Assistant:
    Toby Goodyear

    Catering:
    Laura Barbi

    Advertising Agency:
    Adam & Eve DDB

    Executive Creative Director:
    Ben Priest

    Creative Directors:
    Aidan McClure Laurent Simon

    Agency Producer:
    Anthony Falco

    Assistant Producer:
    Catherine Cullen

    # vimeo.com/78254514 Uploaded 1.4M Plays 221 Comments

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