1. New version with new post credits ending!
    There is a very small amount of flesh on display here, not mine. Just a bit of painted topless ladies who pose for photos in New York. Might be not safe for work...captured as part of the street filming scenes.

    Any use of the Vimeo tip jar is greatly appreciated as it helps go towards subsidising and future reviews. Without which they would be financially unworkable. Huge thanks to anyone who does donate and to CVP who partly subsidised this one to get it going! Added up to around a month of work that was put into this review, which is hard to do when I need to earn money doing my proper paid filming! These are done for the filmmaking community.

    As always with my reviews I take my time to create the content which in turn helps me form my opinion rather than just shoot some footage then put a review out based upon a snap judgment. Pointless. You need time with a camera and time to truly form an opinion worth sharing. Whether you should listen to this opinion? Sure! Why not? Just don't buy anything based on it, not on any one opinion... especially mine! Check out other reviews and try before you by if you can!

    This review is for the world camera, which is basically most of them. The US one does not appear to be PAL/ NTSC switchable which is a bit rubbish!!! When buying the camera please make sure you check!!

    Mostly shot on the A7s apart from a few BTS shots in Central Park, New York and a a few GH4 BTS and Gopro shots during the 4K testing.

    Filmed in Brighton, RIchmond, Maidstone, New York, Detroit

    Main on camera section lit with an Area 48 LED Soft with interchangeable phosphor panels. A truly beautiful light! bbslighting.com/products/area-48-soft-remote-phosphor.

    Lens used on this section was a Sigma 50mm F1.4. All shot HD yet was able to punch in to about 130% for frame changes. The image is that detailed you can get away with it.

    Do check out the main "No longer evolving review" blog post here gopb.co/a7s for downloads and more clips.

    Music courtesy of The Music Bed. Gopb.co/musicbed All tracks listed chronologically in the end credits.

    Graded with FilmConvert 10% of with code bloom at gopb.co/filmconvert
    also with James Miller's Custom LUTS which are coming soon!

    # vimeo.com/102448889 Uploaded 177K Plays 304 Comments
  2. # vimeo.com/100939260 Uploaded 9,315 Plays 11 Comments
  3. By Stu Maschwitz
    June 23rd, 2009

    In this week's episode, Sin City's Visual Effects Supervisor - and our new Creative Director - Stu Maschwitz, shows you how to get the Summer Blockbuster look seen in Transformers 2, Terminator: Salvation, and The Taking of Pelham 1-2-3.

    To go directly to Red Giant TV and to view this tutorial visit: redgiantsoftware.com/videos/redgianttv/item/23/

    Training by Stu Maschwitz

    # vimeo.com/5298835 Uploaded 69.2K Plays 19 Comments
  4. A short retrospective commemorating the Best Picture winners at the Academy Awards ®, between the years 2000 & 2009.

    Best Picture: 2000's is the first installment of a four part series, which celebrates the Best Picture winners between decades.

    Alternate YouTube link: http://bit.ly/1jVkWDj
    More 'Best Picture': http://bit.ly/1nVNRdt

    'Crystalised' by The xx, taken from the album 'The xx', remains courtesy of XL, ℗ 2009.
    'Lucky' by Radiohead, taken from the album 'OK Computer', remains courtesy of Parlophone Records Ltd., ℗ 1997.

    Footage from 'Gladiator' remains courtesy of DreamWorks and Universal Studios, © 2000.
    Footage from 'A Beautiful Mind' remains courtesy of Universal Studios, © 2001.
    Footage from 'Chicago' and 'No Country for Old Men' remain courtesy of Miramax, © 2011.
    Footage from 'The Lord of the Rings: The Return of the King' remains courtesy of New Line Home Entertainment, © 2003.
    Footage from 'Million Dollar Baby' & 'The Departed' remain courtesy of Warner Bros. Entertainment Inc., © 2004 & 2006.
    Footage from 'Crash' remains courtesy of ApolloProScreen GmbH & Co. Filmproduktion KG, © 2004.
    Footage from 'Slumdog Millionaire' remains courtesy of Twentieth Century Fox, © 2008.
    Footage from 'The Hurt Locker' remains courtesy of Summit Entertainment, © 2009.

    Edited by Miguel Branco, © 2014. The “Best Picture" series is a non-profit project, made solely for entertainment purposes. No copyright infringement intended. All content remains courtesy of their respective owners.

  5. Director + Concept: Rob Chiu
    Director of Photography: Matias Boucard
    Camera Assistant: Melodie Preel
    Editor: Charlie Moreton
    Visual Effects: Ryan Dzierzek
    Colourist: Ryan Dzierzek
    Producer: Rob Chiu
    Model: Anne Ladegast
    Commissioner: Robert Raths / Erased Tapes
    Special thanks to We Are French, Ryzek, HSI London and Work Post

    # vimeo.com/100320824 Uploaded 11.1K Plays 9 Comments

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