Information technology has become a ubiquitous presence. By visualizing the processes that underlie our interactions with this technology we can trace what happens to the information we feed into the network.
WINNER OF THE VIMEO AWARDS 2012 in CATEGORY MOTION GRAPHICS! Thanks so much for voting everyone! Watch a short 1 min. making of here, which was shown at the awards: vimeo.com/44046584
Graduation project 2011
Designed as a possible title sequence for a fictitious documentary, this film shows a history of the title sequence in a nutshell. The sequence includes all the names of title designers who had a revolutionary impact on the history and evolution of the title sequence. The names of the title designers all refer to specific characteristics of the revolutionary titles that they designed.
This film refers to elements such as the cut and shifted characters of Saul Bass' Psycho title, the colored circles of Maurice Binder's design for Dr. No and the contemporary designs of Kyle Cooper and Danny Yount.
This title sequence refers to the following designers and their titles:
Georges Méliès - Un Voyage Dans La Lune, Saul Bass - Psycho, Maurice Binder - Dr. No, Stephen Frankfurt - To Kill A Mockingbird, Pablo Ferro - Dr. Strangelove, Richard Greenberg - Alien, Kyle Cooper - Seven, Danny Yount - Kiss Kiss Bang Bang / Sherlock Holmes
Direction and Animation: Jurjen Versteeg / synple.nl
Music and sound design: Lea Jurida / jurida.com
Many thanks to all the people who helped me realizing this project!
For some more info on the concept and the production process, please check out the interview on 'Forget the Film, Watch The Titles': http://bit.ly/pzvXXE
How Jake Weidmann, one of 11 master penmen in the world, uses ink to link the past and future.
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Promo Piece for Weapons of Mass Creation Fest happening June 11-12 in Cleveland's Gordon Square district featuring 20 bands, 20 designers, and 20 speakers. For complete details please visit, WMCFEST.com
TypoMad is an event about typography held this year in Madrid . They trusted us to produce the Opening Credits. Our purpose was to capture as sketching on paper how a typography becomes something solid, all through this metaphor of evolution. Abstractly alluding to beziers lines, ink and the definition of a new creation.