Tower 37 siphons every drop of water from a once-pristine lake, that is, until the station's steward realizes that it is slowly destroying an entire ecosystem.
The Incident at Tower 37 (2009) is a ten-minute HD animated film, written and directed by Chris Perry and produced within the collaborative animation curriculum at Hampshire College.
For more information visit bitfilms.com# vimeo.com/20653610 Uploaded 198K Plays 2,032 Likes 113 Comments
In 2008, I walked through China - 1 year, 4500km. I let my hair and my beard grow. This is the resulting video. Add me on FB: ▶ facebook.com/crehage on TW: ▶ twitter.com/crehage or drop by on my site: ▶ crehage.com
▶ I never finished my original goal of walking to Germany. Instead, I walked for a year and roughly 4500km, passed the Gobi desert, and then decided to stop walking for now.
▶ All of the distance from Beijing to Ürümqi was completed solely on foot, straight good old walking. There are instances where you can see me in the video sitting on a plane or riding a boat, but those are during breaks I had to take from walking, either to sort out bureaucracy issues or to take care of some personal things.
▶ I had been planning this trip for over a year before I even started, and getting as far as I got was an experience for which I am very grateful.
▶ Obtaining the necessary visa for a trip like this was not very easy, hence I had to go back to Beijing a few times to resolve some issues.
▶ This is not a strict "1 pic a day" video, because I wanted to make it a bit more alive by adding some additional movement. Sometimes during the film you would follow me turn around, or something would happen in the background. I tried to capture these moments to make the video more interesting.
▶ If you liked the music I used in this video, get it here: The Kingpins - "L'Aventurier" bit.ly/RXOMaz Zhu Fengbo - "Olive Tree" bit.ly/UDsHT7
▶ The core of this project is in actually my blog where I have posted my extensive travel diary, starting from day 1 (Nov 9th 2007) and describing every single day until the end one year later.
If you have any ADDITIONAL QUESTIONS, please refer to:
or get the GOOGLE EARTH FILE here (1KB):
▶ 2009 Boulder Adventure Film Festival
▶ 2010 Berlin Webcuts
▶ 2010 Banff Mountain Film Festival
▶ 2011 Vancouver International Mountain Film Festival
▶ 2011 5th International Mountain Film Festival Domžale
▶ 2011 Squamish Mountain Festival
▶ 2011 Mezinárodný Festival Horských Filmov, Poprad
▶ 2011 Vertical Film Festival, Moscow
▶ 2009 TIME.COM #8 viral video
▶ madandcrazychild (she takes a photo every day)
▶ NK5000 (Noah takes a photo of himself every day for 6 years)
▶ mattharding2718 (Where the Hell is Matt? 2008)
▶▶▶SUBSCRIBE to Christoph Rehage: bit.ly/1BcQ6Ol# vimeo.com/4636202 Uploaded 9.2M Plays 20.6K Likes 715 Comments
Follow me on twitter for tutorials, behind the scenes, etc...
Written/Directed/Produced & Edited by: Ken Simpson
Cinematography/Camera operating & Color Grading by: Alex Dacev
The DP owned one 50mm prime, about as stock as they come and I borrowed my friends 28mm prime for a few shots here and there. I did however, rent a 70-200mm canon zoom lens for most of the shoot and that cost me another $200.00. Later I found out that a friend of mine had the same lens sitting on a shelf collecting dust...Bu Hao
THE DOLLY/FOLLOW FOCUS:
we used the microdolly for almost all of the moving shots (we used a tiny skateboard for the dolly along the shoes).
It's a very simple device to use, the kit is insanely cheap ($45.00/day) and comes with a 13 foot track which is like a tent pole design, meaning it's all one piece but you could collapse the end of it to fit into smaller spaces. There is a 45 degree curved track option as well, but we never bothered to rent it.
We probably should have had a little more weight on the tripod itself, given that it was only the 5D because the tripod would slip off the track from time to time. You'll notice we had a shitty tripod so we tapped it to the T-bar rather than it fitting in snugly like it would had we had a real profession tripod, ah well. Oh and those foam pads they provide you with to go under the track? We ditched using those after the first day, they just got in the way.
This may not be the best option in the world for flexibility, it's more of an indoor dolly for sure but I'd totally use it again if I was on a tight budget. It's a great way to add production value, considering the price.
We did use a redrock adapter but for some reason we couldn't figure out how to get the focus ring onto the left side of the camera, so the DOP could pan/tilt with his right hand. Not only that but his lens package weren't very high end so the clamp kept slipping off the focus adjustment on the lens (we ended up using double sided tape to make it bite properly). Focus was such a tricky and often elusive thing, there were several double digit takes done to achieve proper focus through out the whole length of the shots.
1x 1K Arri tungsten
1x 650W Arri tungsten
1x 300W Arri tungsten
-for Saffron's day scenes we used a medium flexfill
-and for her night exterior footage I used a tiny led (daylight balanced) camera light, the kind that slides into the accessory shoe of consumer cameras. Really cheap, it cost me $69 I think. The light sensitivity of the 5D really is insane. Since it was just a crew of two, the DP and I, it usually fell on to me to provide a little backlight on those night scenes and it was a little bizzare to be 15 feet back and it still be too bright.
I used my old Canon XL1s with a Lav attachment to re-record all of the spoken lines in the film. Basically after the cut was finalized I cued the scene up on my laptop, had the actors watch the takes a few times and then had them say the lines until I thought they matched up well enough. I bought the lav about 6 years ago, it cost about $250.00 or so and it wasn't top of the line or anything.
The reason were weren't plugging the lav into the 5D is because you still couldn't control the levels with the camera, so if something peaked, I'd have no real idea until afterwards anyways. You really do need an external device for good audio with this camera, sticking a boom mic or shotgun attachment won't really get you much better in the way of quality especially with that horrid auto gain feature.
Converted the footage in FCP to Apple ProRes (HQ) files.
Edited accordingly with shitty guide track from the 5D, then had the actors re-record their lines with my lav attached to my old XL1s running in 30P "FRAME MODE". Cleaned up the timeline then sent it to Color for grading.
Other than the one lens and the Microdolly and Redrock adapter, I just spent money the regular stuff like gas and meals. The locations were free, the actors brought their own wardrobe, except for the doctor (the DP has been a doctor for halloween for the past ten years and already had the lab coat and stethoscope!), there was no hair or make up dept. All of Saffron's scenes were shot over one day/night and by luck she had some hair extensions of her own that she was able to put in over lunch to help sell the idea that a lot more time had passed over course the of their relationship - you'll notice she never has short hair during any of her night scenes.
Total cost of this film $800.00 (approx.)
If you're still interested, you can check out our first short with the 5D MrkII here:# vimeo.com/7648613 Uploaded 115K Plays 1,897 Likes 127 Comments
Winner of the Virgin Shorts People's Choice award 2010 Bus Baby was originally made as a teen pregnancy prevention viral but it also plays out like a short film.
Directed by Jason Wingard and Gino Evans.
shot on a sony Z1# vimeo.com/17394775 Uploaded 9,100 Plays 123 Likes 10 Comments
The Terms: For non-native English speakers, or if you're having trouble with the Irish brogue, feel free to view the film with English subtitles here: vimeo.com/44372501
Based on the short story by Irish writer Mike McCormack, starring Gary Lewis and Ciaran Flynn. Filmed in just under two days in the UK on the South Downs just north of Brighton, on the RED. Download the press kit here: tinyurl.com/cln7o6h
SPECIAL JURY MENTION, Tribeca Film Festival, BEST INDEPENDENT SHORT FILM, Cine Gear Expo, Los Angeles, BEST INTERNATIONAL SHORT FILM, Edmonton Intnl Film Festival, BEST SHORT FILM, JUDGES AWARD, The Film Festival of Colorado, BEST SHORT DRAMA and BEST FOREIGN SHORT, Action on Film, Los Angeles, FINALIST, BEST INTN'L SHORT FILM, Palm Springs International ShortsFest, FINALIST, AUDIENCE AWARD Palm Springs International ShortsFest, FINALIST, AUDIENCE AWARD Uppsala International Shorts Film Festival, FINALIST, BEST SHORT FILM and BEST CINEMATOGRAPHY California Independent Film Festival, FINALIST, BEST SHORT FILM Orlando Film Festival
OFFICIAL SELECTION: Tribeca Film Festival, Los Angeles Film Festival, Nashville Film Festival, Seattle International Film Festival, Palm Springs ShortsFest, Montreal World Film Festival, Rhode Island, International Film Festival, Uppsala International Short Film Festival, Cincinnati Film Festival (formerly Oxford International), Kerry Film Festival, Big Island International Film Festival, Beijing International Film Festival, Libertas Film Festival, Dubrovnik, San Francisco Shorts, Williamstown Film Festival, Edmonton International Film Festival, Sidewalk Film Festival, Birmingham, Port Townsend International Film Festival, Santa Fe Independent Film Festival, California Independent Film Festival, Raindance FIlm Festival, London, Brisbane Intl Film Festival, Tallgrass Film Festival, Leeds International Film Festival, Orlando Film Festival, San Francisco Irish Film Festival, Lone Star International Film Festival, NewFIlmmakers LA, Durango Film Festival, Byron Bay International, Action on Film, Los Angeles# vimeo.com/44229432 Uploaded 67.9K Plays 1,304 Likes 78 Comments