A big thanks to Matthews MSE (msegrip.com) especially to Bob Kulesh, Tyler & Ed Phillips for their generous support and patience of this lengthy endeavor. Most of the linear motion control shots were captured using their FloatCam DC Slider, a wonderful piece of engineering for the time lapse world.
'Nightfall' is a three minute tour of light through the City of Angels.
I shot "Nightfall" in an attempt to capture Los Angeles as it transitioned from day to night. As you probably know, LA is an expansive city so shooting it from many different angles was critical. Usually I was able to capture just one shot per day with a lot of driving, exploring, and scouting in between but the times sitting in traffic or a "sketchy" neighborhood often lead to new adventures and interesting places.
Nightfall in particular is my favorite time to shoot time lapse. Capturing the transition from day to night while looking back at the city as the purple shadow of Earth envelopes the eastern skyline and the warm distant twinkling halogen lights spark to life and give the fading sun a run for her money- this will never grow old or boring to me.
In this piece, it was important to me for the shots to both capture and accentuate the movement of light through the day and night and the use of multiple motion control techniques allowed me to do so.
I hope you enjoy watching it as much as I enjoyed creating it.
An English translation of the lyrics-
"It is late. I am looking for my other home, taking an unfamiliar path: a small trail near the factories and the city, cutting through the forest. I can barely see nature when suddenly, night falls. I am engulfed by a world of silence, yet I am not afraid. I fall asleep for a few minutes at the most, and when I wake up, the sun is there and the forest is shining with a bright light.
I recognize this forest. It is not an ordinary forest, it is a forest of memories. My memories. The white and noisy river, my adolescence. The tall trees, the men I have loved. The birds in flight, and in the distance, my lost father.
My memories aren't memories anymore. They are there, with me, dancing and embracing, singing and smiling at me.
I look at my hands. I caress my face, and I am 20 years old. And I love like I have never loved before."
A montage of my timelapse shots through the summer of 2010.
The dolly moves were done using two custom track and dolly systems that I engineered, utilizing off the shelf components with a bit of custom fabrication. My primary system consists of a set of Mumford rotary tables with a Time Machine for the motion control programming. The secondary system consisted of a lower tech servo city DC motor.
Music is by Hans Zimmer, "Dream is Collapsing" from the Inception soundtrack.
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This was filmed between 4th and 11th April 2011. I had the pleasure of visiting El Teide.
Spain´s highest mountain @(3718m) is one of the best places in the world to photograph the stars and is also the location of Teide Observatories, considered to be one of the world´s best observatories.
The goal was to capture the beautiful Milky Way galaxy along with one of the most amazing mountains I know El Teide. I have to say this was one of the most exhausting trips I have done. There was a lot of hiking at high altitudes and probably less than 10 hours of sleep in total for the whole week. Having been here 10-11 times before I had a long list of must-see locations I wanted to capture for this movie, but I am still not 100% used to carrying around so much gear required for time-lapse movies.
A large sandstorm hit the Sahara Desert on the 9th April (http://bit.ly/g3tsDW) and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes.
Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds. The Milky Way was shining through the clouds, making the stars sparkle in an interesting way. So if you ever wondered how the Milky Way would look through a Sahara sandstorm, look at 00:32.
These shots were filmed in close formation with the Vectorvision camera system installed in the highly modified Wolfe Air LearJet 25. Cameras used are the Red Epic and Arriflex Alexa.
Wolfe Air Project Coordinator: Beth Miles
Wolfe Air Pilots: Craig Hosking, Ace Beall, Kevin LaRosa, Kevin LaRosa Jr, Jeff Senior
Camera: Doug Holgate, Roger Tonry, Scott Smith
Edited by: Zak Marx / 3DF
Colorist: Arnold Ramm / 3DF
Watch in Fullscreen HD - Spectacular footage from the airport. Alongside the runways of one of Europe's busiest airports you have a fantastic view on all the action going on. This is Schiphol at its best.
Heavy traffic mixed with small European jets, interesting wheather, multiple runways and many different airline companies, make a visit to Amsterdam Airport Schiphol a fascinating experience.