An extended preview of a film constructed from 150,000 photographs that combines time lapse footage of riots, optical illusion paintings and stars. Modern Ruin is a contemplation of the idea that creation and destruction is the same thing. In the same way that you, life itself and even the laws of the universe are deeply paradoxical, so too are the realities pieced together to form this non-reality.
Every event depicted in Modern Ruin happened in naked reality, from the riots, to the optical-illusion paintings.
All of my films are accompanied by still portfolios and outtakes culled from thousands of photographs shot for the film. They are designed not just to reflect the artwork in the film, but to add another dimension to it. They can be found on my website: jeff-frost.com
Riots – I would like to be clear that the riots in this film, which began right outside my front door, were set in motion when the Anaheim police department shot and killed an unarmed man last summer. When the residents of my neighborhood began protesting they showed up and shot into the crowd with rubber bullets, threw tear gas and released a K9 unit, which mauled one man’s arm. They would later say that releasing the dog was accidental. There’s quite a bit more to the story obviously, but I want to make sure that it’s well understood that the footage in this film is not meant to be consumed as a factual news item. It’s definitely taken out of the context of reality and used in another. It’s making art out of news.
Soundtrack & Sound Design: Jeff Frost
Additional Editing: Michael Tremaine
Assistance: Stephanie Alva
Location Assistant: Sebastian Paquin
LINDA VISTA CREW
Camera 2: Paul Anthony
Camera 3: Michael Stern
Assistants: Stephanie Alva, Bree Walker
Special Thanks: Francis Kortekaas, Chelton Perry, Fredrick Faith
Linda Vista location secured with the support of
Capital K Pictures
As Vfx Supervisor I was on-set supervising the shots and then we made several vfx compositing work (elements removals, crowd replication, matte extraction and CG elements photo-real integration).
Enjoy this short breakdown reel of a chicken playing chess!
Final Cut Pro X users can now soften and subdue film noise or grain in their footage with PRODENOISE from Pixel Film Studios™. PRODENOISE can quickly and easily make your video look sharper and cleaner in a few clicks of a mouse. With edge protection and detail recovery, this denoiser plugin can remove noise and grain while leaving the important details intact for a great-looking video in FCPX.
PRODENOISE requires FCPX version 10.1.3 or newer.
Auto-Detect Grain and Noise
Using a neighboring pixel algorithm, PRODENOISE was designed to detect and soften subtle film grain and noise in your Final Cut Pro X footage without blurring out important details.
Calibrate the Denoiser
Users can calibrate the built-in Final Cut Pro X controls to adjust the strength and area of the PRODENOISE effect. With edge protection and detail recovery, this denoiser plugin can remove noise and grain while leaving the details intact for a great-looking video in FCPX.
Enhance the Image Quality
After denoising the plugin, users can adjust the Image quality sliders to further enhance the look of the footage. With contrast, gamma and brightness controls, users can further hide the noise by correcting the exposure.
Designed for Final Cut Pro X
Designed for Final Cut Pro X, users can simply drag and drop the PRODENOISE plugin onto their film's clips, and then adjust the look. Editors can instantly give their film a cleaner, sharper look with just a few clicks of a mouse!