Hosted by Marco Solorio of OneRiver Media, this video compares the Blackmagic Design Cinema Camera and the Canon 5D Mark III in several tests. This includes dynamic range, sharpness, pushing levels, banding, artifacts, rolling shutter, chromakeying, wide/telephoto lengths, DOF (depth of field), low light, macro blocking, contrast, and more.
Check out our follow-up video to this one:
"Comparing the Cinema Camera: Part 2, The Impact of 12-bit RAW" vimeo.com/52269416
After several DAYS of trying to upload this video to Vimeo, we've ultimately had to reduce the bit-rate compression down to 18mbps (Vimeo recommends 5mbps, ha!), which is down from our minimum quality level of 40mbps. This means the SOURCE file you can download will also inhibit some amount of compression blocking and smearing, even in the Cinema Camera footage, which doesn't originally exist in our ProRes master file. We've tried EVERYTHING, multiple types of uploads, different encoding methods, you name it.
Although the downloadable source file is a little better than the streaming version, it still doesn't compare to the original ProRes source file which imposes no banding, compression artifacts, or chrominance sub-sampling (down from 4:4:4 to H.264's 4:2:0 space). Please keep this in mind when viewing.
Unfortunately Vimeo only allows 100 downloads per day, so check back to download the 2GB file if the queue is filled. And remember to always watch in FULL 1080 HD or you will have added scaling and moiré issues on some of the tests than what is already been added by Vimeo and our horrid bit-rate restrictions.
Thanks for watching. Hope this is as informative for you as it was for me making it.
** UPDATE - I've uploaded some Prores originals from the camera if people want to check them out:
Been out grabbing some footage and beta testing this little guy the last week or so and having a blast! I really can't get over the image that's coming from this tiny little package. Amazing. The stealth factor is also great as everyone assumes you're on a typical "point and shoot" and don't think twice so pay you no attention. I can see myself shooting casually with this more than my EF 2.5k model (which i plan to sell to get the MFT mount version) as it's so portable and light-weight, i can take it just about anywhere with me. I couldn't bring myself to rig up this camera as it kind of defeats the purpose to me.
The footage is mostly made up of our Canon L Primes via the Redrock Live Lens adapter so that i can control aperture on our lenses. Some shots are with the Panasonic/Lumix 12-35/2.8 (thanks to Gilbert for loaning me this and a couple of other active lenses to test with).
Everything is either handheld, on a monopod, or on a Glidecam HD4000 (thanks to Si Moore). Majority is shot at ASA400 (did not shoot RAW) with a few of the night shots at ASA800, but even some of them are at 400. Most of the night shots are also at F1.4. The glidecam stuff by the beach was the Lumix 12-35 at around F16 (don't have any ND's that fit the filter thread). Otherwise the majority of the day shots are at F2.0 using Tiffen IRND's to get appropriate exposure.
Shot in BMDFilm with my LUT applied, and only minor corrections beyond that:
I can see this camera becoming VERY popular. Great stuff and congrats again to all the team at blackmagic, plus a HUGE thank you to BMD for letting me take this guy for a test drive!!
Music by the amazing Lennon and Maisy: