1. This was shot in my backyard yesterday(11/12/13) the same day as the firmware was released that allows the BMPC to shoot RAW. Color correction is not one of my strong points let alone using Resolve, but I am learning :) - Until this point, I have never used RAW files and had never really used Davinci Resolve(I did watch several tutorials) So it has been learning curve in the past 24hrs - This was an exercise in the workflow and using Davinci Resolve. It was tedious at first but once you catch on - It is quite feasable to use on regular basis. Shot in film mode with the olympus 17/2.8……

    # vimeo.com/79321894 Uploaded 905 Plays 0 Comments
  2. Lumix 45mm 1.8 , iso 800, 176, Adobe After effect ,Final Cut Pro

    # vimeo.com/79336266 Uploaded 868 Plays 4 Comments
  3. Raw video, , 45mm olympus ND fileter

    # vimeo.com/79212202 Uploaded 2,250 Plays 9 Comments
  4. First footage I took on my BMPCC as soon as I updated the firmware. My first time working with raw footage, I didn't do much with the grade except boost some saturation.

    ISO 200 - BMPCC - Voigtlander 25mm - The 64gb 95mb/s sd card was the only card I could get the raw to work on. Two other 45mb/s cards, 64gb and 128gb would not let me record. Not surprised...

    Music: Pour l'instant by mr.teddybear

    mrteddybear.bandcamp.com/track/pour-linstant

    # vimeo.com/79277519 Uploaded 7,048 Plays 22 Comments
  5. VERY LOW LIGHT.
    I could barely see what I was doing, could not see the buttons on the camera!

    From my Deck: I could not see blue in the sky or any details in the lights.. very dim haze
    The RAW DNG's have grain in them, so you cannot push too far.. but with Adobe Camera RAW tweaking directly in AE CC, you can pull out details you did not know were there!

    IN the street:
    Some very cool fog rolled in.. again.. no light other than the street light. I could not see that stop sign across the street. Grain structure is ok in the upper midtones.. a little ugly in the shadows..but very cool that you can shoot at night! Reminds me of 80's movies!

    Doggy THrough The WIndow:
    Entire scene lit with a 75 watt tungsten bulb 35 feet away. Red tile floor looked grey to me.. I could not see the camera.. pushing buttons in the dark! I also could not see the floor at the window... too dark!

    Workflow:

    Shoot RAW - copy DNG's off the chip
    Load into AE.. use Camera RAW settings to tweak at import... stay away from noise reduction here It does not work temporally.
    Write out a 10bit Canopus HQX file for editing in Edius. Could also write DnXHD file 220Mbit 10-bit.
    Takes forever to write.. read from one SSD, write to another.
    (Until I can figure out how to get DaVinci Resolve to read Adobe Camera RAW tweaks (I like Camera RAW settings way better than Resolve).. then writing the file takes forever. DaVinci Resolve writes DNG's in seconds! But I cannot figure out what LUT's , color spaces, etc in order to have the kind of control & results that I am getting in Adobe Camera RAW.

    # vimeo.com/79376746 Uploaded 8,495 Plays 9 Comments

BlackMagic Pocket Cinema Camera RAW (graded & ungraded)

Cristiano Giardina Plus

This channel contains only footage shot in RAW on the BlackMagic Pocket Cinema Camera (BMPCC).

Browse This Channel

Shout Box

  • Riccardo Uras

    IN & OUT
    vimeo.com/143491754
    A digital short that derives from the union of passion/obsession between Photography, Videography and Surfing
    Shoot with Blackmagic Pocket Digital Cinema Camera
    Sardinia, ITALY

    by Riccardo Uras

  • Nacho Farias

    vimeo.com/129377639
    New music video with the bmpcc

    by Nacho Farias

  • jianming li

    jianming li

    Hello, the BMPCC can shoot infrared video with the right filters. To see some footage, please check out my latest film. thx!

    vimeo.com/129837544

    by jianming li

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