Per request by CMG Worldwide (based in Los Angeles), Milton Glaser's I♥NY has been removed from the video. In 1977, Milton Glaser designed the logo pro bono. His intention was to spread the love and let everyone use the logo under fair use. The logo was later copyrighted. Milton Glaser is also responsible for designing The Brooklyn Brewery's logo 25 years ago.
Special thanks to The Bedford, Videology , Co-Op 87 Records, Spoonbill & Sugartown Booksellers and the Found Footage Festival. Music by Noah Cunningham.
Landon Van Soest - transientpictures.com
Paul Trillo - paultrillo.com
I brought my new Blackmagic Cinema Camera with me on a recent trip with my wife to the Bahia de Banderas area of Mexico. We stayed in Mismaloya, about 20km south of Puerto Vallarta. If I had it my way, the camera would have been glued to my hands for the entire trip, but considering it's not water-proof, I had to leave it at the hotel quite a bit.
We did a day trip north of Puerto Vallarta and explored towns, beaches, and did a small jungle hike. In Valle De Banderas, they were celebrating their town's anniversary, or at least I think that's what a banner said. At any rate there were many people out celebrating.
I love shooting with the BMCC! Little issues aside, it is an amazing camera! I love how it makes me slow down while shooting. Considering I'm getting about 25 minutes of raw footage on each 240gb SSD, and the fact that you can't delete clips or format the drive from the camera, makes me feel as if I'm shooting film. On this trip I had no way of downloading footage or formatting the drives. It felt like having an old slr film camera with me and just a couple rolls of film.
I shot all raw and processed the images in Lightroom. I had thought to take Resolve for a spin, but my main workstation stopped working and Resolve won't run on my laptop. I used a calibrated HP monitor.
I experimented with different color grades and you will see different styles in this film. There's even a single random BW shot in there. Uncompressed raw and 13 stops of dynamic range is a powerful mix. Being able to process the raw images in a variety of programs is freeing, and re-processing old footage with new color correction tools is something I look forward to.
Download the original if you want to see the full quality. Not much else to say really. It's good this camera will be shipping in larger quantities soon. Sorry to use an already over used phrase, but this camera is a game changer and needs to be in more people's hands! I can't wait to see what people shoot with it, and what the other camera manufacturers come up with to compete.
P.S. The reality of owning a camera called the Blackmagic Cinema Camera is at times a bit awkward. I'm finding myself saying things like, "No, I'll use the Black Magic." which tends to make strangers in the vicinity raise an eyebrow. Oh well. It's a small price to pay.
Music: I Wanna Go by Summer Heart
Canon 24-70mm (no iris control yet, so all wide open at f2.8)
Canon 70-200mm 2.8 IS Mark II
B+W ND Filters
"Today abstraction is no longer that of the map, the double, the mirror, or the concept. Simulation is no longer that of a territory, a referential being, or a substance. It is the generation by models of a real without origin or reality: a hyperreal. The territory no longer precedes the map , nor does it survive it. It is nevertheless the map that precedes the territory - procession of simulacra - that engenders the territory, and if one must return to the fable, today it is the territory whose shreds slowly rot across the extent of the map. It is the real, and not the map, whose vestiges persist here and there in the deserts that are no longer those of the Empire, but ours. The desert of the real itself."
Simulacra and Simulation
By Jean Baudrillard