1. How do you film a conversation? Most likely, you’re going to block the actors, set up the camera, and do shot/reverse shot. But where do you put the camera? What lens do you use? And how do you cut back and forth? Today, I consider the Coen brothers — Joel & Ethan — and see how these choices lend a particular feel to their version of shot/reverse shot.

    For educational purposes only. You can donate to support the channel at
    Patreon: patreon.com/everyframeapainting

    This video was co-written with Taylor Ramos. Follow her on:
    Instagram: instagram.com/taylor.ramos/
    Twitter: twitter.com/glassesattached

    And follow me here:
    Twitter: twitter.com/tonyszhou
    Facebook: facebook.com/everyframeapainting

    Music:
    Carter Burwell - Way Out There (Raising Arizona)
    Carter Burwell - A Serious Man
    Oscar Isaac - Green Green Rocky Road (Inside Llewyn Davis)
    Carter Burwell - Little Blackie (True Grit)
    Carter Burwell - End Titles (Miller’s Crossing)
    Creedence Clearwater Revival - Run Through the Jungle

    Interview Clips:
    Cinematographer Style: vid.me/L5aW/cinematographer-style-2006

    Recommended Reading & Viewing:
    ASC Magazine on Bruno Delbonnel & Inside Llewyn Davis: http://bit.ly/1OxkCoP
    ASC Magazine’s profile of Roger Deakins: http://bit.ly/1TGUNKV
    Roger Deakins forum post on the lenses he uses: http://bit.ly/1KNKToa

    # vimeo.com/156455111 Uploaded 145K Plays 65 Comments
  2. For the holiday weary, it's time to un-celebrate. 1.16.16
    textbooklooks.com

    Written and Directed: James Kozar
    Director of Photography: JB Schiess
    Producer: Peter Frederiksen
    Gaffer: Adam LoNigro
    AC/Dolly Grip: Steven Turco
    Grip: Ferran Salat
    Design: Steph Krout

    Featuring: Matt Monin

    Thanks to our delightful cast and crew and Trigger Chicago.

    # vimeo.com/151315714 Uploaded 2,840 Plays 1 Comment
  3. This is my senior project for my BYU Animation BFA. The project was to create the Cathedral in Amiens, France using 3D technology. This was built primarily in Houdini, with some early modeling in Maya. The final renders were composited in Nuke and the video was edited in After Effects.

    The majority of the research for the Cathedral came from referencing images that people posted online, along with measurements and schematics included in Columbia University's Dr Stephen Murphy's book, "Notre Dame, Cathedral of Amiens: The Power of Change in Gothic."

    The song used is "Mariam Matrem Virginem" performed by Anúna, and is used with the generous permission of Anúna's director, Michael McGlynn.

    For more information, I may be contacted through my web site at http://www.denniswest.com

    # vimeo.com/92772281 Uploaded 2,434 Plays 1 Comment

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