For his ninth birthday Myles asks for nothing but wood. With his once vivacious grandmother slowly dying, and his burdened mother struggling for relevance he is constructing the everlasting life he desires. Within this wintry upstate New York world, there are indeed mighty forces at play.
Directed by Me (Zia Anger)
Written by Billy Feldman
Cinematography by Ashley Connor
Starring Jax Gray, Lynn Sher and Sue Ann Cunnlife
RECIPIENT of the Panavision New Filmmaker Grant
GRAND PRIZE at the Rhode Island International Film Festival
RECIPIENT of a National Board of Review of Motion Pictures Student Grant
Writer | Director: Nicholas Lam
Producers: Dave O'Brien, Marc Cittadino
Executive Producers: Chris Lee, Shannon Gardner
DP: Joseph White
Production Design: Roy Rede
Editor: Brad Winderbaum
Sound Mix: Brett Rothfeld
Color: John Sellars @ Illuminate
2015 Airing on broadcast station OUTtv in Canada & Europe
2008 Panavision New Filmmaker Winner
2008 Indianapolis Int'l Film Festival - Winner Best Dramatic Short
Winner PANAVISION New Filmmaker 2012
Winner GRAND PRIZE Europe Mozilla Flicks 2012
Winner Public Service Announcement 2012
Directed & Created by Ferran Brooks
Actress Carmen Verdú Pardinez
Cinematography, Edition,VFX supervision,
VFX & Art Direction by Ferran Brooks
VFX, 3D , composition, sound desing and mixing
by Iván Cordero
Music by Kevin MacLeod firefoxflicks.mozilla.org/en-US/
Winner of the Panavision New Filmmaker Grant and Official Entry in over 50 film festivals around the world, The Art of Stalking tells the story of a sensitive but determined loner who sets out to protect the object of his affection.
USC MFA Graduate Thesis Film.
Winner Best Short Boston Film Festival.
Official Entry in over 50 Film Festivals around the world.
Winner Panavision New Filmmaker Grant.
John Snedden, an operator currently based in San Diego, Calif., was born in Charleston, West Virginia, and raised in a small town in Illinois. In 1984, Snedden enlisted in the U.S. Navy where he served for 20 years as a cameraman, documenting Navy and Marine Corps personnel missions in both 16 mm film and video formats. Snedden began his civilian career in 2005 as a film loader for Stu Segall Productions in San Diego. He joined the Guild and quickly moved up through the ranks, becoming an operator on the 2009 MGM feature Hit and Run.
Andrew Eckblad introduced himself to Snedden by email. He had just been awarded a new filmmaker grant by Panavision and was looking for a cinematographer to shoot the 10-minute film Brite Eyes that he wrote and planned to direct.
"Brite Eyes takes places in a black-and-white world where a group of people in a village come across a girl with color in her eyes," Snedden describes. "They want to be like her. Andrew insisted on producing his story on film, because there is something magical about the look."
San Diego's Felicita Park was used to capture exterior locations. Scenes that included smoke and rain effects were shot with as many as four 16 mm cameras, including a Photo-Sonics Actionmaster that records up to 500 fps. Kodak Vision2 500T 7218 film was Snedden's primary stock. "We filmed scenes from six to 300 frames per second to emphasize transitional moments," Snedden states. "When a woman tries to comfort the crying girl, a teardrop falls onto her hand in color. We used a bit of slow motion to punctuate that shot which conveys the character's feelings without words. The colors were converted to black and white during offline postproduction with the exception of the girl's eyes and the teardrop."