Ter voorbereiding op de Huishoudbeurs heeft Tefal een verkiezing Tefal Vrouw 2015 in het leven geroepen. Tijdens de selectiedag werden uit 24 enthousiaste Tefal gebruikers een 9-tal winnaressen gekozen, die elk tijdens een van de Huishoudbeursdagen een demonstratie zullen verzorgen op de Tefal stand.
The third episode in the original series about time for Buddha to Buddha, to support their premium watch collection. This episode features Casper Reinders, an Amsterdam based serial restaurant entrepreneur.
On Saturday 5 October 2013, I was asked by Sabel Communicatie (on behalf of their client Rijkswaterstaat) to cover the replacement of the bridge between Weesp and Driemond.
What better way to capture an 8 hour long process than through timelapse?
So I took my trusted Canon 5D MkII along and let it run at key moments throughout the night. The next day I processed the raw images with Adobe After Effects and added the plugins Denoiser II by Red Giant and GB Deflicker by Granite Bay to get the best possible image sequence.
These were sent off to a several news programs, among them NOS Journaal. This video shows coverage in the editions of 20:00 and 22:00 hours.
Garuda Indonesia follows the nr. 1 DJ of Indonesia, Angger Dimas, during his activities at the annual Amsterdam Dance Event (ADE), the world's leading platform for electronic music.
The rising star Angger Dimas and his music are gaining huge popularity as he is travelling around the world, performing at the biggest festivals and events, getting great support from world class DJ's like, Tiësto, Steve Aoki, Afrojack and many more.
We are very proud that Angger Dimas is representing Indonesia, putting our nation on the world's electronic dance music stage like it has never been before!
Shot in October 2012, during ADE Amsterdam
Camera: C300, Canon 5D2
Various lenses used
Octocopter shots by FlyFocus
Series of two films I shot on location for Syntrus Achmea, the leading pension administrator in the Netherlands. This film is intended for educational purposes, explaining the difference between Defined Benefit and Defined Contribution schemes, and how employers are increasingly choosing for DC these days.
• Shot on Canon 5D mark II / 7D
• Kessler Crane PB Pocket Dolly
• Sound: Sony UWP with Zoom H4N
• 2x Cinelight D-Lite 400; Dedo 3-point lighting kit
• Edited on Adobe CS6 (Premiere Pro / After Effects)
• Graded with Magic Bullet Looks
Voiceover: Carmen Schilstra
Client: Wendy de Gelder / Patricia Albas