From the exhibition catalogue of "(de)Constructing Chinatown":
"In deconstructing Chinatown's shrouded myths and histories, perhaps it is not necessary to dwell on their origins, nor how and why they function. Rather, the answer may lie in examining the systems in which people learn and disseminate information about the community, as Audrey Chan suggests. Through her video installation, "Chinatown Abecedario: A Folk Taxonomy of L.A.'s Chinatown," Chan explores, appropriates, and ultimately undermines these systems of knowledge. As an aspiring urban folk taxonomist, she views Chinatown through the science of vernacular naming systems people use to give meaning and order to their surroundings and experiences. Chan's perspective is influenced by Émile Durkheim and Claude Lévi-Strauss, who propose that the process of learning draws upon the knowledge and beliefs within a local culture, thereby creating a set of ideas that are passed on within a community. Chan's "Chinatown Abecedario" presents twenty-six vignettes about Chinatown, structured after the English alphabet, with Spanish, Cantonese, and Mandarin translations. These vignettes combine disparate elements associated with Chinatown, often teasing out the absurdities where the imagined becomes real and where hybridity becomes known."
--Steve Wong, Curator, Chinese American Museum
Written, directed, and animated by Audrey Chan
Translation: Susy Chan (Chinese), Miguel García (Spanish)
Voiceover: Audrey Chan (English/Spanish), Hsiao-ling Mao (Cantonese), Kay Wang (Mandarin)
Animation Advisor: Emery Martin
Producer: Chinese American Museum (Los Angeles, California) with support from the James Irvine Foundation and the Institute of Museum and Library Services
14 minute running time
Chinese American Museum
425 N. Los Angeles Street, Los Angeles, CA 90012
July 26-October 28, 2012
"(de)Constructing Chinatown" features new work that breaks down commonly-held notions about Los Angeles’ Chinatown, while re-envisioning new perspectives that reflect a more genuine understanding and appreciation of the community’s history, culture and role as an essential part of the city’s changing landscape. The exhibition was curated by Steve Wong and features artists: Betty Lee, Audrey Chan, James Rojas, Phung Huynh, Matthew Winkler, Shizu Saldamando, Michael Sakamoto, and Heimer Bjorgulfsson.
"High hipsters at Hop Louie" by Catherine Wagley, LA Weekly, August 16, 2012
"'Deconstructing' Chinatown Clichés" by Phoebe Unterman, Los Angeles Downtown News, July 27, 2012
For more information, please visit audreychan.net/chinatown-abecedario-2012/# vimeo.com/55502790 Uploaded 1,996 Plays 10 Likes 3 Comments
(Coming 2014.) Follow asian american avant garde composer Fred Ho on an amazing year as he leads his orchestra, launches books, and battles cancer. Directed by Steven De Castro. Co-Produced by Anne T. Greene, Kevin Fellezs, and Howard Fischer.# vimeo.com/78682603 Uploaded 1,344 Plays 3 Likes 0 Comments
A fast-rapping MC injects renewed rhythm into the saga of the Iraqi people.
Produced by Claire Jeantet and Fabrice Catérini for Narratively's "Can't Stop Hip Hop" week (March 26, 2014)
Twenty-eight-year old Tommy Hanna was born in San Diego, where his parents settled in the 1970s after fleeing Iraq. Hanna has drawn from his dual cultures to launch a rap career under the name “Timz,” often creating rhymes about the Iraqi-American experience—and attracting more than 800,000 YouTube views for a recent music video. His producer, Alvin Shamoun, a.k.a. Entre-P or Biggy Babylon, is a childhood friend who has directed several rap videos that dissect the clichés about their community.
Claire Jeantet and Fabrice Catérini are French photojournalists and filmmakers. They co-founded Inediz, a production company dedicated to multimedia documentaries and in-depth storytelling, and co-directed the interactive documentary My Beloved Enemy, a project exploring the intimate consequences of the Iraq war trough the life of Iraqi refugees settled across the U.S. You can follow them on Twitter @Inediz and Facebook.
Share your thoughts on "Mr. Iraq Takes The Mic" with Narratively:
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