"The starting point of creativity lies in the vein of tradition", said Arai.
Arai Junichi was born in Kiryu in 1932. Throughout his career he has continued to produce incredible textiles which combine traditional and ancient techniques with new technologies that remain profound and individual. He is deeply reverent and carries affection for each piece of textile made by the anonymous hands of craftspersons all over the world. In the 1980s, he collaborated with Issey Miyake, Rei Kawakubo (Comme des Garcons) to make a highly creative textile for their clothing lines, representing the Japanese fashion design industry.
In the Opera City gallery, the exhibit's composition is located in two large gallery spaces and one narrow corridor. According to those three spaces, DGT proposed that through each space, there would consist a theme; ‘Self-organization’ in Gallery 1, ‘Prayer and spirituality’ in Gallery 2 and finally, the ‘beacon of creation’ in the corridor space.
Gallery 1 is the first exhibition space, where the textiles were displayed horizontally. Arai’s textile sits against gravity and continues to follow one after the other in a horizontal wave. Lighting is constantly changing as if the textiles themselves are breathing or suggestive that the textile may be a living organism, able to converse in the transition of silent motion.
In Gallery 2, the textiles are displayed vertically. Large scale textiles were exhibited in accordance with gravity. Textiles follow each other by air movement, and never stop slowly drifting, maintaining a magnanimous state. "Mawaritemeguru (new work)" (200m X 5m) is fabricated on front and back of gold and silver and composes a maze which is reversed by two spiralling forms. “Textile forest” is another large scale work that forms in a group and at the end “Pracsis (new work)" is displayed against the entire wall of 12m X 6m that visitors will experience in a series of textile suspended in space.
In the corridor there consists an exhibition of light and sound. Arai was able to travel around the world, where he took slide photos which are projected on the floor with a 680 slideshow. The transmission of the colour slideshow combines with the sound of recordings about textiles in Arai’s own voice from five speakers from the ceiling overhead. It is a space to feel ‘textile within textile’ from the memory of imagination by Arai Junchi.
"I've created a textile for long time, but most of the textile that are exhibited I saw first time here today." Arai at the opening ceremony.
Architect: DGT, Paris
Lighting: Samsara, Tokyo
Graphic design: Shin Akiyama, Niigata
Technical direction: Luftzug, Amsterdam
Structure: Yasuhiro Kaneda, Paris
Construction: Tokyo studio, Tokyo
Planning: Mangosteen Inc. Tokyo
Andrea Aranow is a textile collector and clothing designer. Based in New York, her archive in Portland, Oregon consists of over 40,000 pieces meticulously archived in a digital collection. She has been a clothier to Jimi Hendrix, Miles Davis, and the house of Alexander McQueen.
Full post and story: http://www.fortport.com/?p=3175
More info on Andrea: http://www.blueriderdesign.tumblr.com
Music, in order:
"1955" by Roger Neill, Dave Palmer & Brian Reitzell
"A Drifting Up" by Jon Hopkins
"Requiem on Frankfort Ave" by Eluvium
"There is No There" by The Books