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Sam Jinks' sculptural work sustains the briefest and often most private moments in time. Emotional vulnerability is both the subject and result of his work and moves audiences in a way not expected from contemporary art. For Jinks, his works are not literal representations, but are based on the combination of different stages of life.
Jinks uses these themes of old and new to suggest unrealized potential: the figures are frozen in time, simultaneously at the beginning and end of life. This can be interpreted either as a melancholy reflection of loss, or as the experience of generations standing together with the awareness of life cycles and different stages of development. His hyper-real sculptures have been described as 'poignantly beautiful' as his works create a dialogue on both a technical and emotional level through a strong sensitivity to detail. Created from silicone, fiberglass, resin, calcium carbonate and human hair these works contain a profound sense of the vulnerability and are remarkable in their striking portrayal of the human condition.
Jinks' work can be found in various public collections that include: McClelland Gallery + Sculpture Park, Victoria, Australia ,Shepparton Art Gallery, Victoria, Australia, The Kiran Nader Museum of Art, Dehli , Indian and the Museo Escultura Figurativa Internacional Contemporaenea (MEFIC), Portugal, in addition to various private collections within Australia and internationally.
Director: Tom Broadhurst
Camera: Daniel De Silva
Edit: Daniel De Silva
My senior film while attending SCAD. Created over the course of 6 months, shot all in my dorm room.
A young mad scientist sets out to create a pet monster within parallel worlds of an imaginary laboratory and the reality of the boy's bedroom.
Winner - Best Student Animation - Savannah Film Festival
Official Selection - Fantastic Fest
Official Selection - Newport Beach Film Festival
Nope - Student Academy Awards
Written, Directed, and Animated by Dan MacKenzie
Co-producer – Nicholas Reichard
Fabrication Assistance – Dan Field
Puppet Clothing – Megan Miller
Prop Building Assistance – Britain Cramer
Lighting – Austin Rink
Compositing Assistance – Ed Rivero
Graphic Design – Gregory Sesma
Original Music and Sound – Martin Mayer
Voices – Louise Phillips and Phe
Additional music courtesy of DeWolfe Harmony
Thanks – Jason Maurer, Jeremy Moorshead, Debra Moorshead, Allison Neckman, Scott Kennell, and Leonard DeStefano
After a year since completion, I'm happy to finally put this bad boy online. I hope you enjoy it! Thank you for watching.
...simple things of everyday life.
shot with 7d/ lens f 1.4 24mm canon
some shots with iPhone 4S
sound Rode svm, zoom h4, micro on camera
underwater shots with dicapac
edit in premiere pro
color correction in Premiere pro
(music sample > jarabe de palo itunes.apple.com/us/album/depende/id17873808)