1. *NEW* Download the RAW clip and follow along! Visit the new DOWNLOADS section at my blog mattscottvisuals.com

    It's a long and boring tutorial, but should get you off to a good start if you're new to DaVinci and Color Grading, cheers!

    Here's the result: vimeo.com/67707427

    # vimeo.com/68340708 Uploaded 88.7K Plays 131 Comments
  2. Since posting several creative tests over the few weeks I've owned my Blackmagic Pocket Cinema Camera, I've received many requests regarding what my workflow is. This is a quick tutorial showing you what my steps of ingesting, creating proxies, and grading RAW footage which I believe saves me time and space. And maybe...just maybe, I might help demystify the power of Resolve.

    If this tutorial helped you, please consider the tip jar. Thanks so much for watching!

    Follow @ Facebook: facebook.com/dlwatson.filmmaker
    Follow @ Twitter: twitter.com/dlwfilms

    Post Haste: digitalrebellion.com/posthaste/
    Vision-Color: vision-color.com/osiris/

    # vimeo.com/80877829 Uploaded 28K Plays 36 Comments
  3. A screencast showing how I use PluralEyes and Premiere Pro CS5 to create a 2 DSLR multicam sequence.

    For more info please visit my blog pauljoy.com/workflow/premiere-pro/multicam-edits-in-premiere-pro-using-pluraleyes/

    # vimeo.com/17415283 Uploaded
  4. In this video tutorial we'll show you how to use Warp Stabilizer, a powerful effect for smoothing out shaky shots in Adobe After Effects! Improve the production quality of your videos without any third party plugins or filters.

    See the corresponding blog post and video transcription here: http://bit.ly/1865MCS
    Royalty Free Music by Premiumbeat.com

    # vimeo.com/71528383 Uploaded 11K Plays 0 Comments
  5. It's now since one week that I own the upcoming new anamorphic lens from SLR Magic, the anamorphot 1.33X - 50.
    It's a compact and light 1.33X anamorphic lens, working from 40mm on full frame and 20mm on M43 systems.
    It has the particularity of having a focus ring for close focus, it's very convenient because you can use it without diopters. Another difference seems to be the usuability of shooting at fast apertures. I even did a fast test at T0.95 on the SLR Magic 25mm and the image was still usable ! More tests to come.

    I've used two cameras with two different lenses on this movie : flickr.com/photos/43243778@N04/sets/72157640826690735/
    First the OM-D OM-5 from Olympus. Despite it's not so good video codec, this camera has what the other cameras don't have (yet) : an incredible 5 axis stabilization system. The addition of the Lumix 20mm with the SLR Magic anamorphot on the OM-D make quite the perfect combo. The problem that I still have with the love-able OM-D is finding the best image mode. I'm usually using the "Art3" mode Pale&Light Color (like in this movie), or sometimes "Art4" mode Light tone mode.
    Second the new Sony A7, the first full frame hybrid camera. For me this camera is very lovable too. For the first time it's offering the same flexibility than M43 systems : putting thousand third part lenses (such as Nikon, Canon, Pentax, Contax, Leica, M39, M42, Cine lenses, and so on....). And enjoy those lenses in full frame.
    The 50$ Nikon 50mm f1.8 is a cheap and very good pancake lens. I've put on the Sony A7 with a Novoflex E to Nikon mount adapter. The result with the SLR Anamorphot is very good too, and there is less distortion on the edges than the Lumix 20mm on the OM-D. It's real obvious when you watch the difference on the flares from the two lenses.
    Using the diopters on the SLR Magic anamorphot improve the sharpness of the image. The 0.33X achromatic diopter from SLR Magic seems good and offer more sharpness, but it is not indispensable for close focus, because of the close up focus ring of the lens. The 1.3X gives the possibility to film closer to the subject, and the 3X I'm using too... The three diopters of the movie are reavealing tremendous flares, as you can see at the end of the "Crêpes scene".

    Thank you for watching ! Any comment are welcome ! :)

    SLR Magic anamorphot 1.33X - 50 anamorphic lens

    SLR Magic 0.33X and 1.3X achromatics diopters
    Marumi 3X achromatic diopter

    on Sony A7 with Nikon 50mm f1.8 E Serie
    and Olympus OM-D O-M5 with Lumix 20mm f1.7 pancake lens

    1080 24P on the Sony
    1080 30P on the Olympus
    from 200 ISO (most of the time), 800 ISO (kitchen scene) to 2000 ISO (couch scene)
    Apertures from f1.7 to f5.6, most of the shot taken at f2.8
    Light Craft mark II variable ND filter
    No color correction except slight brightness on the OM-D

    Music : Trentemøller "Candy Tongue (Feat. Marie Fisker)" from Lost

    # vimeo.com/85849379 Uploaded 52.1K Plays 102 Comments

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