UNTITLED (1997) – Upon entering the installation space, the spectator is confronted with a narrative projected to a freestanding wall. As she steps more deeply into the room, two compressed images become visible only inside the space of her shadow. The first is a portrait of an immigrant family; the second is a moving image of an adult figure on a swing. The viewer’s motion, the text, the photograph and the video act to metaphorically to describe a thin space between distant geographies.

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Cynthia Pachikara

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