1. Brothers In Arms has been the most successful of the Boxhead and Roundhead shorts.
    It won a couple of awards, and an honorable mention or two.
    When it first played on Youtube, I got several emails from Gulf War veterans thanking me for it.
    Very humbling and probably undeserved, but nice to know it touched people.

    As ever, email me for DVDs if you want them.

    # vimeo.com/8976842 Uploaded 1,003 Plays 6 Comments
  2. Vinheta de Abertura do Programa Educacao da Rede Novo Tempo.

    Opening Intro for the Education program from Brazil's Novo Tempo TV

    Made with Dragon Stop Motion

    900 photos
    Canon 7d
    28-55mm lens

    December 2010

    # vimeo.com/21350016 Uploaded 13.6K Plays 23 Comments
  3. The minute is a special place, unseen microcosmos within a unseen universe bind us together.
    Our creative vision is to continue our conversation with the Macro Kingdom.. an ongoing poem
    in the tradition of the two previous films.

    So, what is it about the scaled down infinate? certainly not unappreciable.. as you can see and hear..
    we bring to life, forms, shapes, ideas.. We bring to life your attention... This regal landscape of atomic proportion.

    The sounds, created from found objects, the camera capturing moments in detail too easy to ignore.
    brought to your attention by Clemens Wirth, and crafted sonically by Radium Audio.. creators of detail - enhanced listening experts.

    Video by Clemens Wirth clemenswirth.com
    Music & Sound Design by Radium Audio radium-audio.com/
    Vocals performed by Melanie Pappenheim melaniepappenheim.com/

    be sure to check out the making of music & sound design on macro kingdom 3: vimeo.com/22286867

    # vimeo.com/19764519 Uploaded 304K Plays 180 Comments
  4. AKQA San Francisco asked PostPanic to help create a unique 10th anniversary thank you film to more than 1 million Google AdWords clients worldwide. The agency's idea was to individually address each of the clients by incorporating their company name in the film visuals. PostPanic took on the challenge of creating the main film which would then be handed over complete to Google's customization agency for clients' name integration. Director Mischa Rozema developed AKQA's script to include a fictitious Google research department trying out ambitious experiments to feature each advertiser. A combination of live action and vfx, the footage was filmed by PostPanic in around Google HDQ in California, before being brought back for post in Amsterdam.


    (For PostPanic)
    Production Company: PostPanic
    Director: Mischa Rozema
    Executive Producers: Jules Tervoort, Ania Markham
    Senior Producer: Annejes van Liempd
    DOP: Joost van Starrenburg
    Line Producer: Joy Czerwonky
    Casting Director: MaryClaire Sweeters
    1st AD: Annie Spiegelman
    Post-Production: PostPanic
    Editor: Rocky Bazemore
    CG Supervisor: Ivor Goldberg
    VFX Supervisor: Chris Staves
    Matte Painter: Wieger Poutsma
    3D Artists: Jeroen Aerts, Matthijs Joor, Adam Janaczek, Simeon Patarozliev, Jurriën Boogert, Marnix Reckman, Luc Thijssen, Ruud Coenen
    2D Artists: Erwin van den IJssel, Giso Spijkerman [matchmoving]
    Compositing: Chris Staves
    Music & Sounddesign: Bluwi

    (For AKQA San Francisco)
    Executive Producer: Nancy Cardillo
    Group Creative Director: Neil Robinson
    Copywriter: Vinit Patil
    Account Manager: Christina Wong

    (For Google)
    Head of AdWords Product Marketing: Jon Diorio

    # vimeo.com/17637385 Uploaded 85.6K Plays 30 Comments
  5. Soon every home will have a robot helper.

    Don't worry.

    It's perfectly safe.

    Written, Directed & Edited by Ruairi Robinson

    Starring Max Records from "Where The Wild Things Are".

    Cinematography by Macgregor

    Music by Olafur Arnalds courtesy of Erased Tapes

    Funded by Bord Scannan na hEireann / Irish film Board

    Budget was 45k euro - for the shoot. Visual effects budget was a grand total of zeeero. I designed Blinky, modeled him in 3D and played both the his voice and the body mocap performance. And did most of the VFX. Thankfully all footage of me in the skintight mocap suit has been permanently destroyed.

    Visual effects were completed over a period of 9 months, of hell. There's a reason why you don't see too many wet CG characters in movies even with 100 million dollar budgets. It's really, really hard.

    # vimeo.com/21216091 Uploaded 1.5M Plays 730 Comments

Animation & Motion Graphics


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