Traditional time-lapses are constrained by the idea that there is a single universal clock. In the spirit of Einstein's relativity theory, layer-lapses assign distinct clocks to any number of objects or regions in a scene. Each of these clocks may start at any point in time, and tick at any rate. The result is a visual time dilation effect known as layer-lapse.
Music: A big thanks to Alex Adair for making the song “Make Me Feel Better” and giving me permission to use it. soundcloud.com/alexadair
Locations: Port of Boston, Hancock Tower, Memorial Drive, MIT Stata Center, Harborwalk, Wharf District Park, Chandler Plaza, Convention Center, North Point Park, State St., Boston Commons, Pier 4 (pier4boston.com/), Greenway, Customs Tower, Boston Harbor Hotel (bhh.com/), and Deer Island Park
Clips can be licensed and customized to other pieces of music, email me if you are interested: email@example.com
I’m aware of a couple photographers that have done similar work including Fong Qi Wei’s “Time in Motion” series which definitely influenced me, and Geoff Tompkinson’s “Chicago toccata & fugue”. If anyone is working on a similar style, please feel free to reach out to me, I’d love to exchange ideas.
"The past is not gone, and the future isn't non-existent; the past, the future, and present are all existing [now] in exactly the same way." Max Tegmark
Over than 3500 km traveled in 20 days, capturing landscapes from the bluish tones of Pamukkale to the warm ones of Cappadocia, the all passing by a great variation of colors, lights and weathers through six other cities.
I've crossed Cappadocia, Pamukkale, Ephesus, Istanbul, Konya; and tasted baklava, kunefe, doner, the turkish tea; and got the chance to meet the soul of Turkey, its people.. and got their smiles and their hospitality.
This is Turkey lived by me from north to south, and I hope you enjoy it :)
Directed and edited by Leonardo Dalessandri
Music: "Experience" by Ludovico Einaudi
Voice off: Meryem Aboulouafa
"Slow" marine animals show their secret life under high magnification. Corals and sponges build coral reefs and play crucial roles in the biosphere, yet we know almost nothing about their daily lives. These animals are actually very mobile creatures. However their motion is only detectable at different time scales compared to ours and requires time lapses to be seen.
Make sure you watch the video on a large screen. This clip is displayed in Full HD, yet the source footage (or the whole clip), is available in UltraHD 4k resolution for media productions.
The answer to a common question: yes, colors are "real" and not exaggerated by digital enhancement. We have only applied basic white balance correction. However, we used specialized lights to mimic the underwater ambient spectrum. When photographers use white light (artificial spectrum) on corals, they simply miss the vast majority of colours. Corals have spectrum-sensitive colouration due to fluorescent pigments.
The duration of sequences varied from 20 minutes to 6+ hours.
=== Technical details ===
To make this little clip we took 150000 shots. Why so many? Because macro photography involves shallow depth of field. To extend it, we used focus stacking and deconvolution algorithms. Each frame of the video is actually a stack that consists of 3-12 shots.
Just the intro and the last scene are regular real-time footage. One frame required about 10 minutes of processing time (raw conversion + stacking + deconvolution in some scenes). Unfortunately, the success rate was very low due to copious technical challenges and we spent almost 9 long months to get it right.
Music: Atmostra III by Cedric Baravaglio, Jonathan Ochmann and Zdravko Djordjevic.
Walking through the streets of Marrakech, Essaouira, Fes el Bali and Casablanca.. taking in the sights and sounds of this beautiful place. I just wish my camera had shown the true beauty of Morocco.
Big thanks to Silvia Delle Grottaglie.
THANKS TO ALL PEOPLE WHO WERE THERE WITH US AND LET US SHOOT THIS VIDEO.