1. Discover the city of love through a legendary camera, the Pentax 67.

    maisoncarnot.com

    Music : A.taylor - A late night's wandering

    Thanks to Gaetan Morant (Absolt Agency) for the typography.

    # vimeo.com/104088954 Uploaded 530K Plays 199 Comments
  2. Traditional time-lapses are constrained by the idea that there is a single universal clock. In the spirit of Einstein's relativity theory, layer-lapses assign distinct clocks to any number of objects or regions in a scene. Each of these clocks may start at any point in time, and tick at any rate. The result is a visual time dilation effect known as layer-lapse.

    Follow me:
    JulianTphoto.com
    facebook.com/JulianTPhoto

    To learn more about this project, my background, and my gear, please visit: kessleru.com/2014/10/what-drives-you
    Motion Control: Kessler CineDrive kesslercrane.com

    Technical Information:
    Hours Spent Shooting~ 100
    Hours Spent Editing~ 350
    # of Drafts/Iterations~800
    Photos Taken~ 150,000
    Data~ 6TB
    Avg # of Layers/clip ~35

    Music: A big thanks to Alex Adair for making the song “Make Me Feel Better” and giving me permission to use it.
    soundcloud.com/alexadair

    Locations: Port of Boston, Hancock Tower, Memorial Drive, MIT Stata Center, Harborwalk, Wharf District Park, Chandler Plaza, Convention Center, North Point Park, State St., Boston Commons, Pier 4 (pier4boston.com/), Greenway, Customs Tower, Boston Harbor Hotel (bhh.com/), and Deer Island Park

    Clips can be licensed and customized to other pieces of music, email me if you are interested: juliantphotography@gmail.com

    I’m aware of a couple photographers that have done similar work including Fong Qi Wei’s “Time in Motion” series which definitely influenced me, and Geoff Tompkinson’s “Chicago toccata & fugue”. If anyone is working on a similar style, please feel free to reach out to me, I’d love to exchange ideas.

    "The past is not gone, and the future isn't non-existent; the past, the future, and present are all existing [now] in exactly the same way." Max Tegmark

    # vimeo.com/108792063 Uploaded 1.3M Plays 213 Comments
  3. Over than 3500 km traveled in 20 days, capturing landscapes from the bluish tones of Pamukkale to the warm ones of Cappadocia, the all passing by a great variation of colors, lights and weathers through six other cities.
    I've crossed Cappadocia, Pamukkale, Ephesus, Istanbul, Konya; and tasted baklava, kunefe, doner, the turkish tea; and got the chance to meet the soul of Turkey, its people.. and got their smiles and their hospitality.
    This is Turkey lived by me from north to south, and I hope you enjoy it :)

    Directed and edited by Leonardo Dalessandri
    Music: "Experience" by Ludovico Einaudi
    
Voice off: Meryem Aboulouafa

    I have a new page on Facebook: 
facebook.com/leonardolucadalessandri
    You can like it, share it, or just have a look at it :)

    Watch my previous work "Watchtower Of Morocco": vimeo.com/66659080

    # vimeo.com/108018156 Uploaded 4.7M Plays 1,862 Comments
  4. "Slow" marine animals show their secret life under high magnification. Corals and sponges build coral reefs and play crucial roles in the biosphere, yet we know almost nothing about their daily lives. These animals are actually very mobile creatures. However their motion is only detectable at different time scales compared to ours and requires time lapses to be seen.

    bioqueststudios.com.au
    Don't forget to check out our new video with updated technology: vimeo.com/220289475

    Make sure you watch the video on a large screen. This clip is displayed in Full HD, yet the source footage (or the whole clip), is available in UltraHD 4k resolution for media productions.

    The answer to a common question: yes, colors are "real" and not exaggerated by digital enhancement. We have only applied basic white balance correction. However, we used specialized lights to mimic the underwater ambient spectrum. When photographers use white light (artificial spectrum) on corals, they simply miss the vast majority of colours. Corals have spectrum-sensitive colouration due to fluorescent pigments.

    The duration of sequences varied from 20 minutes to 6+ hours.

    === Technical details ===

    To make this little clip we took 150000 shots. Why so many? Because macro photography involves shallow depth of field. To extend it, we used focus stacking and deconvolution algorithms. Each frame of the video is actually a stack that consists of 3-12 shots.

    Just the intro and the last scene are regular real-time footage. One frame required about 10 minutes of processing time (raw conversion + stacking + deconvolution in some scenes). Unfortunately, the success rate was very low due to copious technical challenges and we spent almost 9 long months to get it right.

    Music: Atmostra III by Cedric Baravaglio, Jonathan Ochmann and Zdravko Djordjevic.

    === Sharing/Use ===

    Inquiries/licensing/press: find our contact details bioqueststudios.com.au/

    More information about using our videos:
    bioqueststudios.com.au/image-and-video-use/

    Please support the Great Barrier Reef conservation efforts marineconservation.org.au/pages/donate.html

    # vimeo.com/88829079 Uploaded 4M Plays 371 Comments
  5. Walking through the streets of Marrakech, Essaouira, Fes el Bali and Casablanca.. taking in the sights and sounds of this beautiful place. I just wish my camera had shown the true beauty of Morocco.
    Big thanks to Silvia Delle Grottaglie.
    THANKS TO ALL PEOPLE WHO WERE THERE WITH US AND LET US SHOOT THIS VIDEO.

    Music: "Grand Pianola Music" by John Adams
    facebook.com/dalessandri

    I have a new page on Facebook: 
facebook.com/leonardolucadalessandri
    You can like it, share it, or just have a look on it :)

    # vimeo.com/66659080 Uploaded 589K Plays 313 Comments

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