1. Speed - all that matters now. The Fast ID for FOX Sports 1.

    Credits:
    Client: FOX Sports 1
    Creative Director: Matthew Waddell

    Design, Direction and Animation: KORB
    Sound Design: ECHOLAB

    Year of completion: 2013

    Follow us on:
    facebook.com/korb.tv
    facebook.com/ECHOLAB.Sound.Design

    # vimeo.com/80875205 Uploaded 41.1K Plays 10 Comments
  2. TaherInvest approached us to revitalize the narrative of their company's storied progress and innovation. We imagined a hyper-real, illustrative landscape, pinned to the underlying blueprint that has always catalyzed the brand. Tumbling though this space we capture the unfolding chronology of this brand's story, arising from the geography, transcending into photographic still lifes, and materializing yet again into the company's prospective undertakings. We gain insight to Taher's pioneering roles in current markets as well as their expansive contributions to future enterprises and social institutions.

    Client: TaherInvest
    Agency: Eco
    Produced by: Blend Studios
    Creative Director: Nick Waraksa
    Art Direction/Design/Animation: Michael Rigley
    Design: Jade Jariya
    Music/Sound: Garrett Schultz

    # vimeo.com/70528799 Uploaded 30.6K Plays 22 Comments
  3. Information technology has become a ubiquitous presence. By visualizing the processes that underlie our interactions with this technology we can trace what happens to the information we feed into the network.

    BFA Thesis
    CCA Graphic Design

    # vimeo.com/34750078 Uploaded 426K Plays 180 Comments
  4. This work is a shocking early face mapping work. A buzz of 5 million views was born in a week.
    It became the roots of the face mapping series.

    This work is the theme of Japanese identity.
    While feeling that Japanese are losing confidence, where is Japan 's identity?
    What is the universal value that Japan can transmit to the world?
    Elements of Japan's identity such as Japanese traditional beauty, future technology, Japanism, etc. were pursued and integrated by members and collaboration members of kuwahara hiroto, Paul Lacroix, and Jin Hasegawa.

    Finally, when Android face transforms, grotesque dark mask appears from inside.
    It seems that it is a metaphor for a strange anxiety towards the future brought about by technology that continues to evolve at phenomenal speed.

    staff

    nobumichi asai (planner / producer / director / technical director)
    hiroto kuwahara(makeup artist)
    paul lacroix(technical director)
    jin hasegawa (cg designer - spade)
    takashi ishibashi (cg designer - spade)
    ayaka motoyoshi (production manager -p.i.c.s.)
    koji kojima(producer)
    aya kumakura (production manager)
    kazuhiro nakamura (colorist - mcray)
    kenji nakazono (photographer - creative studio works)
    kimihiro morikawa (photographer - shooting & lighting)
    rhea tor’s inc.
    dan (stylist)
    k.furumoto (hair - &´s management)
    yuka sekimizu (model - satoru japan)
    spice (optitrack motion capture sensor)
    hideaki takahashi (music - mjuc)
    hiroshi sato (projector instruments - amsa)

    related link
    connected colors
    vimeo.com/149727840

    contact
    nobumichiasai.com

    # vimeo.com/103425574 Uploaded 7.3M Plays 176 Comments
  5. For Disney’s “TRON: Legacy,” Bradley Munkowitz, better known as GMUNK, was the lead animated graphics artist. He assembled and led a team of GFX all-stars who conceived, designed and animated approximately 10 minutes of UI sequences and holograms at Digital Domain for director Joseph Kosinski and visual effects supervisor Eric Barba.

    # vimeo.com/22252042 Uploaded 37.3K Plays 4 Comments

technology

Yurie Kurata

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