1. # vimeo.com/29547158 Uploaded 1,552 Plays 0 Comments
  2. “I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting. That's just sort of my way.” – Wes Anderson

    Music: The New Lobby Boy by Alexandre Desplat

    kogonada.com

    # vimeo.com/89302848 Uploaded 3.2M Plays 108 Comments
  3. # vimeo.com/42191484 Uploaded 399K Plays 74 Comments
  4. Of all the recurring signatures of Malick, his use of fire and water might be the most telling, in part because there’s a significant shift between early Malick (Badlands & Days of Heaven) and later Malick (The Thin Red Line, The New World, The Tree of Life & To the Wonder). Early Malick favors fire. Later Malick favors water. In To the Wonder, Malick forgoes fire altogether for the first time in his career. Water reigns.

    Music: River by Alexandre Desplat

    kogonada.com

    # vimeo.com/64063304 Uploaded 162K Plays 43 Comments
  5. The films of Ozu are filled with people walking through alleys and hallways: the in-between spaces of modern life. This is where Ozu resides. In the transitory. It’s what he values as a filmmaker. Alleys are not an opportunity for suspense but for passage.

    Music: A1 by Ólafur Arnalds & Nils Frahm

    kogonada.com

    # vimeo.com/55956937 Uploaded 120K Plays 34 Comments

Essay film

Lara Torres Plus

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