Inhale the fresh air, smell the refreshing scent of the green pine forests glowing above black volcano sands, no sound but the wind in the trees. A deep blue sky matches with the blue atlantic ocean far below. Epic volcanic trails lead trough an unique archaic landscape. Feel the elements. Be yourself, at the “Island in the Sky”.
This short film, a homage to the beautiful Island of La Palma - "Europe's Hawaii" - was like a never ending project for me. More than one and a half years of work.... photographing, processing, re-processing, selecting and de-selecting footage, some weeks filming…
I had certain pictures in mind - the scenes, locations, and moods. Every interesting place I had spotted during many stays on the Island while Hiking or guiding Bike Groups was considered.
I hiked up Volcanoes, stayed awake all night on stormy ridges, slept like a dead on the beach next morning. Pre-processed nights footage at the Apartment later, to validate what scenes worked, or needed to be repeated. Hurried back up the mountains before sunset for new setups. Finally got some rest and watched the clouds and stars move. Feeling small in the universe. And tired and dizzy, as well.
Night-Timelapse filming is an art, a struggle to live from, tough on your biorhythm – and needs a lot of passion, love and dedication. Passion for the work, love for nature and wilderness, being alone in the night. Back at the office in the timelapse studio it needs dedication and endurance in front of my workstations working trough the image data.
Which is the toughest part for me - I am not the office guy. I hate sitting in front of a Computer screen too much. And that is what you do with Timelapse. Way too much. After cleaning up the project, 906.65 GB and 83846 RAW images and movie-sequences remained for processing. And there is no automatism, each software at the workflow needs to be fed with each sequence separately, to deliver results...
On some key scenes of this film I have even worked over several months, trying different variations on color-reprocessing, iterating them many times. I am still not sure if they are good now. You judge.
Thanks to all who support me, especially my family. Thanks to Babak Tafreshi of Twanight.org for providing the legendary GRANTECAN Intro and MAGIC-from-the-side Footage (en.wikipedia.org/wiki/MAGIC_(telescope). Props to the Folks at IAC.es and Visitlapalma.es! Horay to the team at TWANight.org for tips and feedback! Awesome to Nikon NPS!
"Within Two Worlds depicts an alternate perspective by giving us the illusion of times movement, signifying a beginning and end within a world of constant contradiction. It appears you are traveling in the midst of a dream, half-sleeping, half-waking, and touching the arch connecting heaven and earth."
I discovered my passion for photography shortly after my mother’s passing while hiking the Pacific Crest Trail (PCT) 3 years ago. This time-lapse video is my visual representation of how the night sky and landscapes co-exist within a world of contradictions. I hope this connection between heaven and earth inspires you to discover and create your own opportunities, to reach your rightful place within two worlds.
Please feel free to share #withintwoworlds! Special thanks to all for your continued support and encouragement.
Music composed by Serge Essiambre entitled, 'Believe in Yourself'. - http://www.sergeessiambre.com.
Limited edition, fine-art prints are available at http://goldpaintphotography.com/purchase.
In-field and online workshops are available. For more info, visit: http://goldpaintphotography.com/workshops.
Tumalo Falls, Three Sisters Wilderness, Mount Shasta, Big Bend National Park, Mono Lake, Aurora Borealis over Crater Lake National Park, Texas, Painted Hills, the High Sierra, and the Aurora Borealis over Sparks Lake.
All footage (roughly 7K images) was captured using Nikon equipment. No motion control systems used.
Second in the series of speed and workflow tips for 3ds Max.
This one covers a way to get around uvw coordinates of unusual objects. It shows you a technique on how to use multiple uvw channels to create a tile-less, seamless, unwrap free texture on your objects, without any visible stretching or pinching. It is a quick method that lets you power through an often undesirable task.