This film is a collection of audiovisual moments and memories of a 3-week railway journey through Japan in 2015. We were whizzing through the country with the Shinkansen visiting Tokyo, Osaka, Hiroshima and Kyoto as well as lots of wonderful little places along the way, meeting the most friendly people and experiencing a culture that somehow balances its rich tradition with a very futuristic present.
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This was filmed between 29th April and 10th May 2011 in the Arctic, on
the archipelago Lofoten in Norway.
My favorite natural phenomenon is one I do not even know the name of, even after talking to meteorologists and astrophysicists I am none the wiser.What I am talking about I have decided to call The Arctic Light and it is a natural phenomenon occurring 2-4 weeks before you can see the Midnight Sun.
The Sunset and Sunrise are connected in one magnificent show of color and light lasting from 8 to 12 hours. The sun is barely going below the horizon before coming up again. This is the most colorful light that I know, and the main reason I have been going up there for the last 4 years, at the exact
same time of year, to photograph. Based on previous experience, I knew this was going to be a very
difficult trip. Having lost a couple of cameras and some other equipment up there before, it was crucial to bring an extra set of everything. I also
made sure I had plenty of time in case something went wrong.
If you can imagine roping down mountain cliffs, or jumping around on slippery rocks covered in seaweed with 2 tripods, a rail, a controller,
camera, lenses, filters and rigging for 4-5 hour long sequences at a time, and then
having to calculate the rise and fall of the tides in order to capture the essence - it all proved bit of a challenge.
And almost as if planned, the trip would turn out to become very
difficult indeed. I had numerous setbacks including: airline lost my
luggage, struggling to swim ashore after falling into the Arctic sea: twice, breaking lenses, filters, tripod, computer, losing the whole dolly rig and controller into the sea, and even falling off a rather tall rock and ending
up in the hospital. As much as I wanted to give up, the best way Out is
always “Through”. I am glad I stuck it through though because there were some amazing sunrises waiting. At 1:06 you see a single scene from day to night to day which is from 9pm to 7am. Think about that for a minute.. 10 hours with light like that.
I asked the very talented Marika Takeuchi to specifically compose and
perform a song for this movie, and what she came up with is absolutely remarkable. Thank you very much Marika!
"10328x7760 - A 10K Timelapse Demo" is a video I put together showcasing the extreme resolution of the PhaseOne IQ180 camera of which it was shot. This footage comes from some shots I did while shooting 4K and 8K timelapses in Rio De Janeiro for a major electronics manufacturer. Each shot is comprised of hundreds individual still images, each weighing in at a whopping 80 megapixels. Each individual raw frame measures 10328x7760 pixels.
Each shot was very minimally processed and included curves, input sharpening, saturation adjustments. The h264 compression really kills alot of the fine detail. No noise reduction was done on any of the shots. I tried to keep the shots as close to raw as possible so you may see some dust spots, noise, and manual exposure changes I made while shooting. For a final video edit these adjustments would be smoothed out and fixed. Normally I run shots where I manually change exposure during the shot through LRTimelapse, but unfortunately the program can't seem to handle such huge raw files. I also had to loop some shots in order to have enough runtime to do some zooms, so you may see a jump in the footage here and there.
Each shot sequence starts off with the full resolution footage scaled down to fit within a 1920x1080 resolution (14% scale). The next shot in each shot sequence is the full resolution shot scaled to 50%, so basically zooming in quite a bit. From there we go into the full resolution shot scaled to 100%, which is an extreme zoom/crop. As you can see, the quality and detail holds up extremely well, it’s pretty amazing.
I wanted to show a couple things with this demo video. First, the extreme resolution of this camera (and medium format in general). Second, the amazing amount of flexibility this resolution allows for in post production. You can literally get about 8-10 solid 1920x1080 shots out of a single shot. You can also get about 5-6 solid 4K shots out of a single shot.
If you enjoyed this demo videos please feel free to pass it around and share it. If you enjoy my work, or want to see some of my other work (including the full Rio video) you find me on all the social media outlets below.