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    thirdseventh-book.com/

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    "From Bits To The Lens" Book -- Beautiful 120+ hires imagery artwork, philosophy and processes behind the shortfilm in a 232 pages large format book.

    Help funding my next shortfilm through the book. All the book sales incomings will be destined to financing it.

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    .Fullscreen it, please.

    A FULL-CG animated piece that tries to illustrate architecture art across a photographic point of view where main subjects
    are already-built spaces. Sometimes in an abstract way. Sometimes surreal.

    Credits:

    CG

    |Modelling - Texturing - Illumination - Rendering| Alex Roman

    POST

    |Postproduction & Editing| Alex Roman

    MUSIC

    Sequenced, Orchestrated & Mixed by Alex Roman (Sonar & EWQLSO Gold Pro XP)

    Sound Design by Alex Roman

    Based on original scores by:

    .Michael Laurence Edward Nyman. (The Departure)
    .Charles-Camille Saint-Saëns. (Le Carnaval des animaux)

    Directed by Alex Roman

    Done with 3dsmax, Vray, AfterEffects and Premiere.

    # vimeo.com/7809605 Uploaded 6.2M Plays 2,809 Comments
  2. Video References: https://drive.google.com/open?id=0B19l7cJ7tVJyZ3lTSUt1aGlSTUk

    Corresponding Writeup: https://drive.google.com/open?id=0B19l7cJ7tVJyRkpUM0hVYmxJQ0k

    Previous Video: vimeo.com/116101132

    Virtual reality provides new opportunities for user interactions with computer applications. The process of designing a comprehensive interaction paradigm will require a significant amount of consideration and development. My work outlines a few beginning design considerations related to zones for content, types of interaction, and interface design methods. With a mass of resources and time including teams of developers, I have no doubt that a full virtual reality operating system could be created using existing technology.

    Selected Commentary:

    7. I don’t mean any disrespect to Doom & Quake as they were obviously enormous steps for video games and extremely popular as “killer apps” in their own right. I just mean to point out that productivity tools became the main reason the general public decided to buy PCs.

    9. It can also be said that Ivan Sutherland’s “Sketchpad” (1963) or Douglas Engelbart’s “On-line System” (1968) were GUIs, but I am referring to the window, icon, menu, pointer (WIMP) desktop style GUI for which Xerox PARC’s Alto was first.

    18. The idea of associating persistent menu items or actions with body parts is to take advantage of motor memory in relation with proprioception.

    22. I’m getting these numbers from the Oculus Unity integration package, in which the cameras’ field of view is 106.09° vertically and 94.16° horizontally for the DK2. I realize that it is marketed colloquially as having about a 100° field of view, but I assume this is just an estimated median between the two that is easier to refer to. For content and ergonomics, I would prefer to err on the side of safety and go with the smaller circular diameter.

    24. The reality of this near area is tricky, as it’s a sort of gradient of discomfort. Within that nearest meter, how much strain is too much strain is a matter of opinion.

    43. Microsoft has not yet detailed specifications for the hololens head mounted display. However, much can be extrapolated from the technologies in use and the experiences of others. It is very possible that a later consumer version may have higher resolutions, wider fields of view, and/or ways to display black pixels with varying opacity, but the current demo version appears to have the properties explained in the video.

    46. This interface previsualization was created for an upcoming product. However, I have omitted most of the interface and features at the request of the creators since it is still in development.

    54. Gaming consoles are examples of computers that are constantly doing complex rendering, so it’s definitely possible with current tech. What I was thinking of is how you won’t have a video for your current desktop or many users would disable the “aero” transparency in Windows because it’s taxing to performance including frame rate. Since VR has to maintain upwards of 75-90 frames per second, much of the complex multitasking we’re used to may be curbed in these first years if it was being additionally represented as meshes and materials with lighting. It is still definitely possible, though.

    All other commentary and references can be found at https://drive.google.com/open?id=0B19l7cJ7tVJyZ3lTSUt1aGlSTUk

    # vimeo.com/141330081 Uploaded 23.3K Plays 20 Comments
  3. SWING VR is an interactive VR-installation that makes a dream come true: the dream of flying.

    It uses a swing as a physical component with a virtual reality headset. This innovative combination of technology enhances the swinging experience with virtual reality and creates an unique immersive adventure in a crafted watercolored world. This world starts with being grey and desolate. While the player is lifting into the air, this world becomes more and more colorful. In the end, after a journey through the skies and to the universe, the player safely lands back at his starting point – but now everything is colorful and alive.

    SWING VR innovates in a number of areas. Combining VR technology with physical interfaces is a largely unexplored, especially combining physical motion with virtual sensations. That leads to interesting questions regarding the medical impact that carefully designed VR experiences can have on humans and their physiological and psychological state. We found that a lot of people reported being delighted and more happy after having the sensation of flying through the fantastic world that SWING provides.
    Also, SWING gives a wide audience of people easy access to the new medium Virtual Reality – not only in a technical sense, but seeing what experiences can be achieved using this new art form. Altogether, about fifty thousand people all over the world tried SWING by now: most of them had the first contact with virtual reality.

    Tools: water colours, Unity 3D, HTC Vive

    Portfolio:
    http://www.tibimi.de
    http://www.christin-marczinzik.de

    # vimeo.com/119068455 Uploaded 18.8K Plays 3 Comments
  4. With less than a month left in the year, MasterCard and McCann decided they wanted to do something big in Times Square for New Year’s Eve. We jumped right in to the deep end with them, pulling together a huge team across both our offices to create over 10 minutes of original animation. To celebrate a year of Priceless Surprises, we crafted 12 unique stories, one for each month of the year.

    Directed by Buck
    For full credits visit buck.tv

    # vimeo.com/121291105 Uploaded 21.5K Plays 37 Comments

2D

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