1. After one year of working on Sennheiser’s interactive Reshaping Excellence campaign, we’re proud to see the final stage launch on November 3rd. Phase two of the project witnesses the completion of the monument to sound—a vast interactive sound-sculpture created over the past six weeks by over one million people worldwide. Our spot is a supersensory odyssey that presents the formation of the monument in all its monolithic glory, and finally reveals it as the foundation of Orpheus; a personal sound experience unlike any other. Discover how we did it...

    Credits:

    Production: Sehsucht Berlin GmbH & Co. KG
    Director: Mate Steinforth
    Producer: Christopher Lenz, Konrad Weser
    Artists: Christina Agapitou, Julius Brockelmann, Roman Hinkel, Ian Hutchinson, Saskia Kretzschmann, Oliver Latta, Florian Raphael Panzer, Christoph Strohfeld, Alexander Walker, David Weidemann, Sebastian Wirbelauer, Christian Zschunke

    Client: Sennheiser electronic GmbH & Co. KG
    Director Global Marketing / Brand Marketing: Uwe Greunke
    Director Global Marketing Communications: Uwe Cremering
    Key Communication Global Manager: Anne Hildebrandt

    Agentur: Philipp und Keuntje
    Creative Director: Mike John Otto
    Agency Producer: Laura Popiol, Stefanie Voss
    Project Manager: Karolina Kurzaj

    Interactive / WebGL: Artificial Rome GmbH

    Original Music for Website and Campaign: Imogen Heap

    Sound Design for Website and Campaign: Hofkapellmeister Sebastian Müller, Marcel Cloidt

    Making-Of Music: LARY - Sirenen (instrumental)

    # vimeo.com/144341628 Uploaded 15.9K Plays 14 Comments
  2. We are an audience to a collision we cannot prevent.
    We feel everything we know slipping through our fingers.
    We are weightless.

    I wanted to create a piece that got inside the last few milliseconds before a nation's collective insides flipped. Right before the disorienting lurch of the ground beneath our feet, somewhere between disbelief and comprehension, between cheering and horror.

    I wanted to find that disconnected weightless feeling when something of immeasurable and uncontrollable importance happens right in front of you, and then run it backwards to the decisive moment that initiated it.

    The VO is built from JFK's final speech, given that morning in Ft. Worth before traveling to Dallas.

    Huge thanks to Rob Lowe, Ginnifer Goodwin and Will Rothhaar for putting up with wildly spinning cameras and split second takes.

    More thanks to a great team of collaborators and the whole crew at Variable and Jonathan Bregel who co-directed, helping us cover an enormous amount of ground, multiple sets, and Phantom/Red/8mm shooting on an incredibly complex and multi-faceted shoot.

    Production Company: Variable
    Creative Development: National Geographic, Variable & Mill+
    Director: Rama Allen & Jonathan Bregel
    Executive Producer: Tyler Ginter
    Producer: Alex Friedman
    Production Supervisor: Paige DeMarco
    Cinematographer: Khalid Mohtaseb
    VFX Supervisor: Adrian Hurley
    Phantom Tech: Edward Richardson
    AC/DIT: Daniel Stewart & Jeffrey Levine
    Production Designer: Joseph Sciacca
    Photographer: Joey L

    Post Production: Mill+
    Head of Content: Ian Bearce
    Post Production Producer: Adrienne Winterhalter & Richard Schwab
    Editor: Caleb Woods
    Assistant Editor: Jessica Ledoux
    Lead Compositor: Danny Morris
    Title Design: Wesley Ebelhar
    Score/Sound Design: Fall On Your Sword

    # vimeo.com/77439389 Uploaded
  3. Music Video for Fantasía, a song by Fur Voice
    Produced by Limón Estudios for Henry and Primo

    Director: Pablo Maestres
    Cast: Rachel Fleminger Hudson
    Director of Photography: Marc Miró
    Art & Special Effects Director: Anna Colomer
    Post-production: Limón Estudios
    Production Manager: Luna Lladós y Blanca Esteller
    Assistant Director: María Sosa
    Costume Designer: Carolina Galiana
    Make up & Hair: Javier Ceferino
    Colorist: Marc Morató (Metropolitana)

    # vimeo.com/123018448 Uploaded 102K Plays 53 Comments
  4. Besides liking and following me here, maybe like me on facebook to be up to date of projects and news too! THX!
    facebook.com/pages/immortal-arts-filmproduction/233251140075564

    Hi!

    I am glad to show you the basic functions of the new Octane Render for Cinema 4D.

    Sorry for my english and the little chaos sometimes but i recorded this without cutting besides many other projects and after a looooong night. i hope you appreciate it anyway ;)

    I hope it helps you getting started with this nice piece of software.
    If some people get stuck feel free to ask here or visit the octane renderforums here:

    render.otoy.com/forum/index.php

    Also feel free to post this link anywhere you want.

    Maybe i will do more specific tutorials on how to setup complex scenes with tipps and tricks.
    But you see almost everything you need in this video. My standard material library comes with octaneC4D License.

    Enjoy!

    immortal-arts

    # vimeo.com/62241847 Uploaded

3d reference

moonseok

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