1. # vimeo.com/88223391 Uploaded
  2. From the beginning of time, to the edge of the universe… and beyond.

    See more work at pixel.melbourne

    # vimeo.com/154265845 Uploaded
  3. having just played with ortho() processing.org/reference/ortho_.html yesterday for the first time... I had to give this test a go... 6 meshes, 6 displacement GLSL's (each with a slightly different setting), set javax.media.opengl.GL2 to gl.glPolygonMode( GL2.GL_FRONT_AND_BACK, GL2.GL_LINE ) with 6 different line weights - and set 6 different ortho() projections... while using the Yeasayer - "O.N.E." Music Video as the texture across all 6 meshes.


    PartsOfSystems / #Processing #HypeFramework #GLSL #RealTime

    # vimeo.com/132988224 Uploaded 1,950 Plays 3 Comments
  4. More info and images : analogstudio.co.uk/work/aleph

    Transforming Céline campaign girl Daria Werbowy into a primordial goddess rising from and returning to the earth, the CGI-powered film explores ideas of nature, birth and death.
    Conceived in collaboration with Warren Du Preez and Nick Thornton Jones for Creative Review’s Annual Creative Awards.
    The capture side of the project was a one day shoot in Holborn studios London with FBFX Digital scanning, Frank Benhamou styling, Rebecca Louise Law creating floral installations, Raphael Salley on hair direction, and Ninni Nummela on makeup. An original music composition by Salvador Breed and Stijn Van Beek took a couple of weeks, as did the editing by Steve Ackroyd at Final Cut London.

    Client : Creative Review
    Model : Daria Werbowy
    Direction : Warren Du Preez & Nick Thornton Jones
    CGI : Analog
    Creative Direction : Analog
    Production : Thomas Brannigan (WNStudio) & Katie Bolan (Black Dog Film)
    3D Scan/Prep : FBFX
    Edit : Steve Ackroyd (Final Cut)
    Flower : Rebecca Louise Law
    Music : Salvador Breed & Stijn Van Beek
    Stylist : Franck Benhamou
    Make-Up : Ninni Nummeia
    Hair : Raphael Salley
    Nails : Ami Streets

    # vimeo.com/125678796 Uploaded 151K Plays 48 Comments



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