The projection mapping "bioluminescent forest" is made by artists Friedrich van Schoor and Tarek Mawad.
The artists spent six weeks in the forest fascinated by the silence and natural occurrences in nature, especially the phenomenon "bioluminescence". They personified the forest to accentuate the natural beauty by creating luring luminescent plants and glowing magical mushrooms that speaks volumes to any visitor that enters the minds of the artists through viewing "bioluminescent forest".
New media art duo SWEATSHOPPE aka Blake Shaw and Bruno Levy are back from Europe with a new video that showcases their live interactive video wheatpaste in Berlin, Bristol, Belgrade, London and Paris. Over a two week period the duo pasted their videos in over 10 spots including the Berlin Wall, Les Invalides, Cordy House and even constructed a 5 meter telescopic electronic paint roller to create a two-story tall video painting in Bristol.
Video painting is a technology the duo developed that allows them to create the illusion that they are painting videos onto walls with electronic paint rollers they built. It works through custom software that they wrote that tracks the position of the paint rollers and projects video wherever they choose to paint, allowing them to explore the relationship between video, mark making and architecture and create live video collages in real time.
This work is a shocking early face mapping work. A buzz of 5 million views was born in a week.
It became the roots of the face mapping series.
This work is the theme of Japanese identity.
While feeling that Japanese are losing confidence, where is Japan 's identity?
What is the universal value that Japan can transmit to the world?
Elements of Japan's identity such as Japanese traditional beauty, future technology, Japanism, etc. were pursued and integrated by members and collaboration members of kuwahara hiroto, Paul Lacroix, and Jin Hasegawa.
Finally, when Android face transforms, grotesque dark mask appears from inside.
It seems that it is a metaphor for a strange anxiety towards the future brought about by technology that continues to evolve at phenomenal speed.
nobumichi asai (planner / producer / director / technical director)
hiroto kuwahara(makeup artist)
paul lacroix(technical director)
jin hasegawa (cg designer - spade)
takashi ishibashi (cg designer - spade)
ayaka motoyoshi (production manager -p.i.c.s.)
aya kumakura (production manager)
kazuhiro nakamura (colorist - mcray)
kenji nakazono (photographer - creative studio works)
kimihiro morikawa (photographer - shooting & lighting)
rhea tor’s inc.
k.furumoto (hair - &´s management)
yuka sekimizu (model - satoru japan)
spice (optitrack motion capture sensor)
hideaki takahashi (music - mjuc)
hiroshi sato (projector instruments - amsa)
A site specific installation by Romain Tardy and Squeaky Lobster
Proyecta Oaxaca, Ethnobotanical garden of Oaxaca, Mexico
Concept & Visual design by Romain Tardy
Music composed by Squeaky Lobster
Project management & production by Nicolas Boritch
The Ark is a site specific installation, commissioned by and presented during Proyecta Oaxaca, festival de diseño y artes digitales.
The Ark is built around the cacti that line the Aljibe, at the heart of the Ethnobotanical Garden of Oaxaca.
Adopting a poetic approach, The Ark gives voice to the garden’s plants, participants in the work, the beating heart of the space and an unpredictable choir.
Telling their story, revealing their fantasised and fantastical character, The Ark is the mise-en-abîme of the trail. A three part audio-visual installation, it unfolds like a movie set in space, in which the wandering spectator plays the role of the camera.
On the invitation of Proyecta Oaxaca, several artists from the ANTIVJ visual label have devised four visual and sonic works to be installed at the heart of the Ethnobotanical Garden in Oaxaca. Conceived of as a trail of light, these in-situ works offered the chance to (re)discover a singular and magical location in a particularly unique way – by opening the garden to the public at night.
A trail of the senses, in several variations, it also presents spectators the perspective of four artists on this atypical space, in which ancient nature and new technology come face to face, like a distant echo of the ancestral techniques that have allowed for its conservation.
The trail consisted of the following four works:
Onion Skin, by Olivier Ratsi & Thomas Vaquié
The Ark, by Romain Tardy & Squeaky Lobster
3Destruct | Oaxaca, by Yannick Jacquet, Thomas Vaquié & Jeremie Peeters
Réplica, by Laurent Delforge & Thomas Vaquié
All projects managed by Nicolas Boritch.
content director: Manuel Alcala
producer: Samuel Rivera
technical director: Azael Saenz