1. For the past ten years, I’ve been editing professionally. Yet one question always stumps me: “How do you know when to cut?” And I can only answer that it’s very instinctual. On some level, I’m just thinking and feeling my way through the edit. So today, I’d like to describe that process: how does an editor think and feel?

    A very special thanks to David Poland for the use of DP/30 clips.
    And a very special thanks to Aso for the use of his music.

    For educational purposes only. You can donate to support the channel at
    Patreon: patreon.com/everyframeapainting

    And you can follow us through
    Taylor’s Instagram: instagram.com/taylor.ramos/
    Taylor’s Twitter: twitter.com/glassesattached
    Tony’s Twitter: twitter.com/tonyszhou
    Tony’s Facebook: facebook.com/everyframeapainting

    Music:
    Aso - Soul Traveling (Freddie Joachim Remix)
    Harry James - I’ve Heard That Song Before
    Nat King Cole - Aquellos Ojos Verdes
    Aso - Jazz Intro
    Nujabes - Perfect Circle (Instrumental)
    George Benson - On Broadway (Live)

    Interview Clips:
    DP/30 Michael Kahn (2011) youtube.com/watch?v=xjdOG-w0Zz4
    Michael Caine - Acting in Film (1987) youtube.com/watch?v=bZPLVDwEr7Y
    DP/30 Thelma Schoonmaker (2013) youtube.com/watch?v=KIKRcV4kHzg
    DP/30 Thelma Schoonmaker (2011) youtube.com/watch?v=KgXcpZqQy8M
    BAFTA - Walter Murch on Editing (2013) youtube.com/watch?v=WcBpXLNmS3Q

    Recommended Reading & Viewing:
    On Film Editing by Edward Dmytryk amzn.com/dp/0240517385
    Cut to the Chase by Sam O’Steen & Bobbie O’Steen amzn.com/dp/094118837X
    In the Blink of an Eye by Walter Murch amzn.com/dp/1879505622
    The Conversations with Walter Murch by Michael Ondaatje amzn.com/dp/0375709827

    # vimeo.com/166319350 Uploaded 164K Plays 88 Comments
  2. Series of tutorials on light, color and video scopes. This is the fourth and final episode.

    # vimeo.com/153621025 Uploaded 3,105 Plays 5 Comments
  3. How do you film a conversation? Most likely, you’re going to block the actors, set up the camera, and do shot/reverse shot. But where do you put the camera? What lens do you use? And how do you cut back and forth? Today, I consider the Coen brothers — Joel & Ethan — and see how these choices lend a particular feel to their version of shot/reverse shot.

    For educational purposes only. You can donate to support the channel at
    Patreon: patreon.com/everyframeapainting

    This video was co-written with Taylor Ramos. Follow her on:
    Instagram: instagram.com/taylor.ramos/
    Twitter: twitter.com/glassesattached

    And follow me here:
    Twitter: twitter.com/tonyszhou
    Facebook: facebook.com/everyframeapainting

    Music:
    Carter Burwell - Way Out There (Raising Arizona)
    Carter Burwell - A Serious Man
    Oscar Isaac - Green Green Rocky Road (Inside Llewyn Davis)
    Carter Burwell - Little Blackie (True Grit)
    Carter Burwell - End Titles (Miller’s Crossing)
    Creedence Clearwater Revival - Run Through the Jungle

    Interview Clips:
    Cinematographer Style: vid.me/L5aW/cinematographer-style-2006

    Recommended Reading & Viewing:
    ASC Magazine on Bruno Delbonnel & Inside Llewyn Davis: http://bit.ly/1OxkCoP
    ASC Magazine’s profile of Roger Deakins: http://bit.ly/1TGUNKV
    Roger Deakins forum post on the lenses he uses: http://bit.ly/1KNKToa

    # vimeo.com/156455111 Uploaded 145K Plays 70 Comments
  4. # vimeo.com/124502936 Uploaded
  5. Sometimes one week is enough. To rest, to change your life, to think this through, to charge batteries, to take a step, to have some fun, to remind yourself about yourself.

    Photography & editing: Piotr Wancerz | timelapsemedia.com | facebook.com/timelapsemediacom

    Music: Autumn Reason by AMAKSI

    Film produced in collaboration with matadornetwork.com and hometurkey.com

    Locations [in order of appearance]: Ölüdeniz, Kaş, Istambul, Kekova, Antalya, Olympos, Aspendos, Perge, Kaputaş, Patara, Side, Manavgat Şelalesi, Myra Örenyeri.

    # vimeo.com/133785813 Uploaded 52.9K Plays 37 Comments

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