1. This is an overview of the perfect travel rig for shooting professional photo and video. The foundation is two carry-ons that can be easily transported between cars, planes, hotels, and the field. This rig is meant for a solo-operator, in an extreme location, when time, space and image quality are crucial concerns. It is optimized for quick setup and breakdown. This rig is "lightweight" relative to a full pro kit -- it is not intended to replace a hobbyist's backpack.

    Here is my complete travel guide for Iceland: alexcornell.com/iceland-travel-guide/

    This is the gear used to shoot Planet Iceland: vimeo.com/114108421

    The 1DC is the primary photo unit, also used for 4K video when appropriate (weather sealed). The C100 is the primary video unit, thanks to the autofocus and waveform monitoring. Three lenses cover 16-200mm focal lengths and can be used on both cameras. Accessories include ND filters, external SSDs, tripod, and storage. The two storage units operate best when combined with a small shoulder bag or sling, to use when walking far distances with either camera. A note on the A7s below.

    Follow me: twitter.com/alexcornell
    Mailing list: eepurl.com/U_0Zr

    - Full gear list -

    Pelican 1510 Case:
    - Canon C100 Dual AF
    - Canon 1DC
    - Canon 16-35 f2.8
    - Canon 24-70 f4
    - Canon 70-200 2.8
    - At anyone time, each camera has a lens attached. Case is customized to fit them like this to allow for quick access.

    InCase DSLR Pro:
    - Macbook Pro 13"
    - Monster Overdrive 1TB SSD
    - Gopro Hero4
    - Lexar Dual CF/SD Reader USB 3.0
    - Lexar CF and SD cards in Pelican 0945 Case
    - Extra batteries for C100/1DC
    - ND and Polarizing Filters by B&W
    - Gitzo GT1542T with Manfrotto RC2
    - Chargers
    - Black Rapid Curve with FR-T1
    - Ikan D5 (duplicative if you are mostly shooting with C100)

    There are a number of different options that would work just as well for this rig setup. I personally prefer the Canon image and found that this combination was best for traveling in Iceland and most recently, Antarctica. Obviously a camera like the Sony A7s would be lighter, but in testing, it proved to have worrisome battery life and awkward ergonomics; it's also not weather-sealed. The 1DC is bulletproof, has a better image to my eye, and is shooting 4K internal -- all combined with an absurd photo-platform.

    *I did not bring any loupes, like the Zacuto Z-finder, because taking them on/off can be really annoying when going quickly in and out of a case or bag. For the C100 I relied on the waveform to ensure proper exposure and autofocus to ensure accurate image. On the 1DC, when I did shoot video, I did my best to use the LCD and shot a little under to protect the highlights.

    If you have specific questions, feel free to ask them in the comments below. Also would be excited to hear suggestions for future tutorial videos.

    alexcornell.com

    # vimeo.com/115925770 Uploaded 32.2K Plays 32 Comments
  2. -----------------------------------------
    The music in this film was composed by Kerry Muzzey and is a track called The Secret History from the album The Architect. Please consider purchasing this album over on iTunes: http://bit.ly/PAT_MO

    I am forever in Kerry's debt for his kindness and generosity in donating this song for my film. I do not have enough words to thank him!

    If you'd like to purchase a digital download of the film for your iPhone or iPad, please visit mikeolbinski.com/theblog/2015/07/the-chase.

    Follow me: mikeolbinski.comtwitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski

    ---------------------------------------

    This past spring I spent more time chasing storms on the plains than ever before. The most I had spent prior to this was seven total days and that was last year. What I came away with from that short time made me realize that if I could double that...the stuff I could capture would be amazing. Of course I long to be out there for a month or longer, but when you live in Phoenix and have a wife and three kids...you have to be realistic.

    I turned 40 years old this year and I told my wife all I wanted was 10 days chasing on the plains. She loves me though and it ended up being 14! Two days in April and then 12 straight days from May 23rd - June 3rd. Those 12 days were absolutely incredible. I'm friends with other chasers via social media, met them on the side of roads while chasing, even grabbed dinner together...but never have I felt more of a part of the chaser community than being out there for almost two weeks. Living the life...seeing the same amazing chasers over and over...it was overwhelming to me. I missed my family, it was hard at times, but it was one of the best experiences of my life.

    Both chases originated from where I live in Arizona. In April I drove out all night to Colorado, slept maybe an hour, chased all day, got a good night's sleep, chased the next day in the Texas panhandle and drove home that same night, stopping only for a quick nap in New Mexico. The second chase was the same. Left Phoenix late on the evening of May 22nd, never really slept and the chase was on the next day. All in all I drove well over 12,000 miles over the course of those two weeks, visited 10 total states (New Mexico, Texas, Kansas, Oklahoma, Colorado, Nebraska, South Dakota, Wyoming, Montana and North Dakota) and shot over 45,000 frames of footage for this film.

    I have many people to thank. Pat O'Brien for being my first private tour attendee this spring. Mike Mezeul II for one very big tip on a spot above Rapid City, SD. To James Langford who not only guided me to that spot over the phone, but "now-casted" for me many, many times. I may have missed out on four crucial clips in this film if it wasn't for him suggesting I punch the core in South Dakota. Thank you sir. And to my pal Andy Hoeland...who was with me for over a week of my time out there, driving, looking at forecasts, talking to weather experts and always helping us have a great target for that day. He's become my chase partner for most of these big plains trips and I wouldn't have it any other way.

    Also thanks to Cinetics (cinetics.com/axis360) for sending me their Axis 360 to play with. I used it one time in this film and wish I had used it more. I love that scene.

    Finally...above everyone else, of course...is my wife. To let me go for that long, to never complain, to never discourage me...but to only believe in me...how could I be so lucky to deserve a wife like that? We have three kids and that's tough on a parent to have her husband away that long. It will never cease to amaze me that I would not be here, doing this, if it wasn't for her support and encouragement.

    Technical details...everything was shot on Canon 5D3's, along with an array of Rokinon lenses. I got sick of lens-twisting (mostly of FORGETTING to lens twist) so I mainly used those manual lenses on this trip. Everything was processed using LR Timelapse, Lightroom, After Effects and Premiere Pro.

    I'm in absolute love with this film. The stuff I saw rivaled anything I've ever seen on the plains minus that insane Booker supercell in 2013. We saw four tornadoes (one of them appears in a deleted scene at the very end of the film), countless supercells, gorgeous shelf clouds, stunning mammatus and some awesome lightning shows. The song..well, the song for this film blew my mind. I loved it when I heard it, but then seeing how everything started coming together on the timeline, the pace, the slow build-up, the huge ending...I've said it before, but the song is 50% of the film. Thank you again Kerry for everything!

    All this movie does it fuel me to want to do better next year and this summer in Arizona. Stay tuned for Monsoon II and for The Chase II next spring!

    I sincerely hope you enjoy and share this film around. Thank you!

    # vimeo.com/134173961 Uploaded 564K Plays 289 Comments
  3. 羽田空港とその周辺からのタイムラプスです。城南島では強風のためブレないかとヒヤヒヤしながらの撮影でした。
    my blog : darwinfish105.blogspot.jp/2015/07/blog-post_20.html
    camera : Panasonic GH4
    lens : OLYMPUS M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6
    camera : SONY a7S
    lens : SONY FE 16-35mm F4 ZA OSS
    lens : Nikon Ai AF Zoom-Nikkor 24-85mm f/2.8-4D IF
    mount adapter : ARAX TILT adapter for use Nikon lenses on Sony NEX
    camera : SONY RX100M3
    music : Summer Colour by I Am Robot and Proud
    color grading : VisionColor ImpulZ(vision-color.com/impulz/) Rec709_Kodak Vis3 50D 5203 (DP)_FC

    # vimeo.com/133421230 Uploaded 360K Plays 46 Comments
  4. The DFVC Director of Photography reel. Every shot DP'd by Dustin Farrell. As you can see our portfolio is very versatile. Whatever your needs, don't hesitate to get in touch. Email: dustin@dfvc.com

    Music: Ten Years After "I'd Love to Change the World" from the album "A Space in Time" itunes.apple.com/us/album/a-space-in-time/id696742470

    Special thanks to Crew West in Phoenix, AZ (crewwestinc.com) for many of these shoot opportunities.

    # vimeo.com/131622316 Uploaded 8,992 Plays 0 Comments
  5. I've been shooting this video around iceland the last few months, it's such an amazing country that everyone should witness with their own eyes.

    Locations:

    Mount Kirkjufell
    Vík í Mýrdal
    Sólheimasandur (DC-3 Plane)
    Sandvík
    Straumsvík
    Seljalandsfoss waterfall
    Goðafoss waterfall
    Aldeyjafoss waterfall
    Hólmbergsviti lighthouse
    Garðskagi lighthouse
    Hvalsneskirkja church
    Miðnesheiði
    Vatnsnes

    Equipment used:

    Dji Phantom 3 Professional
    Canon EOS 6D
    Sony a7s
    Gopro Hero 4 Black

    Edited in Final Cut Pro X

    Music by: Matt Corby - Brother

    http://www.gardarolafs.com

    # vimeo.com/134008155 Uploaded 288K Plays 114 Comments

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