Thanks to you all !
There are now 3 films available featuring the Flying Frenchies - see more at sebmontaz.com
Revenue from downloads helps to finance future projects.
WE HAVE BEEN OVERWHELMED BY THE REACTION FROM PEOPLE VIEWING OUR TRAILER AND YOUR HUNDREDS OF COMMENTS, and we hope to be able to film more projects in the months & years to come.
Highlining pioneers Tancrede and Julien have come to the spectacular and atmospheric cliffs of the norwegian fjords to try and turn their ultimate dream into reality. The talented pair have cemented their friendship over the past years exploring the sport of highlining, from the heights of the alps to the skyscrapers of Paris.
WINNER OF THE VIMEO AWARDS 2012 in CATEGORY MOTION GRAPHICS! Thanks so much for voting everyone! Watch a short 1 min. making of here, which was shown at the awards: vimeo.com/44046584
Graduation project 2011
Designed as a possible title sequence for a fictitious documentary, this film shows a history of the title sequence in a nutshell. The sequence includes all the names of title designers who had a revolutionary impact on the history and evolution of the title sequence. The names of the title designers all refer to specific characteristics of the revolutionary titles that they designed.
This film refers to elements such as the cut and shifted characters of Saul Bass' Psycho title, the colored circles of Maurice Binder's design for Dr. No and the contemporary designs of Kyle Cooper and Danny Yount.
This title sequence refers to the following designers and their titles:
Georges Méliès - Un Voyage Dans La Lune, Saul Bass - Psycho, Maurice Binder - Dr. No, Stephen Frankfurt - To Kill A Mockingbird, Pablo Ferro - Dr. Strangelove, Richard Greenberg - Alien, Kyle Cooper - Seven, Danny Yount - Kiss Kiss Bang Bang / Sherlock Holmes
Direction and Animation: Jurjen Versteeg / synple.nl
Music and sound design: Lea Jurida / jurida.com
Many thanks to all the people who helped me realizing this project!
For some more info on the concept and the production process, please check out the interview on 'Forget the Film, Watch The Titles': http://bit.ly/pzvXXE
Ok folks, this is it. Here is my first video project.
It is a video of the Northern Lights created using stills (stop motion). All sequences are shot in or close to Tromsø in Northern Norway.
I have spent over 6months collecting footage for this, I have shot approx 50.000 stills to choose from in making this video. A goal for me has been to try to preserve the real-time speed of the northern lights, or come as close as possible, and present it the way I experienced it, instead of the northern lights just flashing over the sky in the blink of an eye. It may work on other time-lapse videos with fast moving clouds and sunsets etc, but with the northern lights in focus, it should be presented in it's true speed to reflect her beauty, imo. In the video I have put together a collection of slow moving auroras in the woods, over the mounatins, in the city, in the foreshore, reflected in the sea, with some of the most spectacular and strongest auroral outbreaks seen in many years. Included here is a coronal outbreak, in which I am particularly happy to present, since it is very difficult to get on stills, even worse on "film".
I got a fantastic soundtrack made for the video by local musical talent in Tromsø; Per Wollen. A Huge thanks goes to you Per obviously! The audio track "Aurora in the sky" can be found on iTunes.
A huge thank goes to Jay and dynamicperception.com/ for making the most awesome timelapse gear available, and who made some of the sequences in this video possible!
The video shown here on Vimeo is 1280x720. It may be also available in 1920x1080 and Digital Cinema HD 4K. Contact me for higher resolution. Video may not be used commercially or public without permission.
Footage has been prepared for viewing in sRGB color space since this is the space most people use. Hence wide gamut displays may display colors wrong, especially green ones which the aurora mostly appears in, since the most clipping in color space when downscaling to sRGB is done in the green color area.
Gear used to put this together:
Canon EOS 5D Mark II
Canon EOS 7D
Canon EF 24 L 1.4 Mark II (My precious)
Canon EF 16-35 L 2.8 Mark II
Samyang 14mm 2.8
Nikon 14-24 2.8G AF S
Tokina 11-16 2.8
Meade DS-2000 w 497 Autostar
Dynamic Perception Stage Zero Dolly/Rail w MX2