The only concern I have about replacing a Blackmagic Cinema Camera with a 4k Production camera is low light. I need to work fast using whatever is available. I often shoot on a monopod because a tripod is too slow. However, I also want a super 35 sensor, which means more stable images; and global shutter, as it means what movement there is gains some elegance - and it also means stabilising without jello. And 4k. But can the Production Camera handle the exquisitely subtle and deathly goth pallor of British light? Or will the S35 global shutter 28mm IS dream die in the dimness?
(There is a reason lens whacking is a particularly British pass time. There is so little sun we have to invent it.)
We shot this video to demonstrate the capabilities of our OMCOPTER drone. It showcases its ability to fly into buildings, close to actors and into high altitudes. Our thanks go out to Christian Pfeil and Ralf Haeger! Notice: The clip only has two cuts!