1. Directed by Carl E. Rinsch, ‘The Gift’ Belongs to the "pararell Lines" Phillips Cinema campaning. Placed in Russia, The Gift is a Sci-Fi short with a savage Chase sequence on it. We made more than 20 full CGI shots for the short. Check out the animated pictures to see how it has been done. We also made the vechicles and some characters desings. We enjoyed creating such an unusual atmosphere and sense. Not the regular Sci-fi film we are used to see...

2. Get The Ultimate Reference Guide to Cinemascope, Anamorphic, and 2.35 Aspect Ratio Resolutions HERE: http://devowe.com/cinemascope - Thank you for your support! A 90 second tutorial on exporting 1080p widescreen (16:9) footage to Cinemascope aspect ratio (otherwise known as Panavision or Anamorphic Scope - 2.35:1 ratio).

In this example, I used 100 pixels on the top and bottom. TRUE 2.35:1 aspect ratio would be 132px on top, and 131px on bottom (or vice versa). The final output would be 817px tall.

Please bestow a ♥ like or leave a ✉ comment if you have questions!

http://devowe.com/blog/2011/2-351-cinemascope-anamorphic-aspect-ratio-tutorial/

☞ 2.35:1 aspect ratio examples:
vimeo.com/12126223
vimeo.com/11296764

http://devowe.com/

☞ ASPECT RATIO CONVERSION METHOD:

To convert from any aspect ratio to a wider format (such as 2.35:1 or 1.85:1), all you have to do is

DIVIDE the WIDTH of your SOURCE footage (1920 in this example) by the final aspect ratio desired (2.35 in this example).

So,
1920
DIVIDED BY
2.35 = 817 pixels tall

Your final output would be 1920x817.

✏ To find the amount to crop off the top and bottom, subtract your pixel number (817px here) from your source footage height (1080px) and divide it by two. If it is a decimal number (such as 131.5), even it out to whole pixels (i.e. - crop 132px from top, 131px from bottom).

✏ Here are some examples of aspect ratio conversion methods. These are all assuming 1920x1080 footage. If your SOURCE footage is 1280x720, your width would be 1280; if your SOURCE footage is 720x480, your width would be 720; and so on.

☞ 16:9 to 2.35:1 / Cinemascope / Anamorphic / Panavision Aspect Ratio:
SOURCE footage width (1920) DIVIDED BY 2.35 = 817px tall
Crop 132px off top, 131px off bottom.

☞ 16:9 to 1.85:1 / Academy Flat / "Flat" Aspect Ratio:
SOURCE footage width (1920) DIVIDED BY 1.85 = 1038px tall
Crop 21px off top, 21px off bottom.

As a 'bonus', here is the method for converting your 4:3 aspect ratio video to regular 16:9 widescreen (assuming 640x480 footage):

☞ 4:3 to 16:9 Regular Widescreen Aspect Ratio:
SOURCE footage width (640) DIVIDED BY 1.778 = 360px tall
Crop 60px off top, 60px off bottom.

★Other Tutorials:★

After Effects & Premiere Tutorials from devowe.com

60p to 24p TRUE slow motion in Premiere (POPULAR): vimeo.com/8478419
60p to 24p SUPER slow motion 120fps effect in After Effects: vimeo.com/11280015
☞ Example: vimeo.com/11296764
30p to 24p OVERCRANKED slow motion in After Effects: vimeo.com/11281642
☞ Example: vimeo.com/11296318
24p to 24p slow motion in After Effects! vimeo.com/11280739
☞ Example: vimeo.com/11284811

To learn more about aspect ratios, Panavision, Cinemascope, Anamorphic Scope, and much more - go to http://www.thedigitalbits.com/articles/anamorphic/aspectratios/widescreenorama.html

Audio: Zoom H4n + Redhead Windscreen
devowe.com

3. Critics – Webisode 6
Co-hosts Steve Weiss & Philip Bloom open up with some witty banter, including a view jibes on fashion choices. Next, they critique 4 new shorts: an underground music video, an insane crazy-dangerous wing-suit base jumping, and Trash the Dress Bridal: a couture video highlighting a bride rolling in the sea. The webidode ends with a critique on "A Short Love Story in Stop Motion," one of the most viewed videos on Vimeo.

About [ critics ]: Film/video veterans, Steve Weiss, Director of FilmFellas/Critics, and Philip Bloom, a London based Independent DP and Director (philipbloom.co.uk/) come together as dueling co-hosts to candidly critique web based video content.

[ critics ] 6 ~ Critiqued Films
Karpe Diem - Krølla 50-lapp Y'all by Jørgen Klüver vimeo.com/3301476
Wingsuit Base Jumping by mspfilms.com vimeo.com/1778399
Down By The Water by Dustin Blake vimeo.com/4991366
A Short Love Story In Stop Motion by Carlos Lascano vimeo.com/877053

4. Pictures, animation & music: Clément Morin
Scenario : Matthieu Lesaint - Sound Design : Lorice Fouquer

5. Simple machines work together to make music. (fullscreen, please)

more short films: beeple-crap.com
free VJ source material: BEEPLE - VJ LOOPS FREE

# filmmakers

Samuel Hernandez

great sci-fi films

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