1. Can movement tell a story? Sure, if you’re as gifted as Akira Kurosawa. More than any other filmmaker, he had an innate understanding of movement and how to capture it onscreen. Join me today in studying the master, possibly the greatest composer of motion in film history.

    For educational purposes only. You can donate to support the channel at
    Patreon: patreon.com/everyframeapainting

    And follow me here:
    Twitter: twitter.com/tonyszhou
    Facebook: facebook.com/everyframeapainting

    Interview Clips:
    Sidney Lumet on RAN: http://bit.ly/1B7mfTD
    Robert Altman on RASHOMON: http://bit.ly/1BDuvL7
    Paul Verhoeven on Kurosawa: http://bit.ly/197vwnS

    Music:
    Yoko Kanno & Seatbelts - N.Y. Rush
    J Dilla - Untitled Track 03 (from King of Beats)
    J Dilla - Untitled Track 14 (from King of Beats)
    Nujabes - Sea of Clouds
    Nujabes - Transcendence
    DJ Shadow - Why Hip Hop Sucks in ‘96

    # vimeo.com/122702786 Uploaded 251K Plays 93 Comments
  2. One of the many pleasures of Nicolas Winding Refn’s “Drive” (2011) is that the shots feel both tightly composed and weirdly unpredictable. Even though most of the images follow a simple quadrant system, Refn puts plenty of subtle touches within the frame. Let’s take a look.

    For educational purposes only. You can donate to support the channel at
    Patreon: patreon.com/everyframeapainting

    And follow me here:
    Twitter: twitter.com/tonyszhou
    Facebook: facebook.com/everyframeapainting

    Music:
    Desire - “Under Your Spell"

    # vimeo.com/118321998 Uploaded 410K Plays 74 Comments

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