1. Ive created a LUT that is a shortcut for you to get alexa r709-like color and contrast from your Magic lantern 5dm3 .raw files. Not as good as alexa of course, but gets you in a similar league "right out of camera". Ill keep on working on it. Enjoy!
    How to expose for the LUT: This is meant for an image that is has middle grey underexposed by about 2/3 stop, you can do this by looking at the meter in live view or by using a light meter.
    Note on installing the LUT in resolve: you may need to remove the .txt extension on the LUT to .cube (right click-> get info-> change extension to .cube under the "name and extension" tab
    Also, Be sure to follow instructions regarding the raw clip settings in Resolve or this LUT will not work as intended- BMD film for both gamma and color, the click "highlight protection"- THEN apply Hunters LUT to the clip- it will look horrible unless you do this. Thanks!
    My first tutorial so go easy on me! This video is a demonstration of workflow using Resolve- it also explains how to use and install the LUT I made to make your 5dm3 uncompressed magic lantern raw video footage look more like something you would get from a higher end cinema camera (i.e. Alexa, ect) great skin tones, pleasing highlights and shadows...

    Just download the LUT and files below.

    Its meant for exposing the 5dm3 when shooting raw at around -1/2 stop to 2/3 of a stop underexposure, but feel free to experiment with both over and under exposure.

    The reasoning behind the LUT:

    The majority of footage from the raw hack you come across on the internet is processed incorrectly, saturation is usually way too high, skin looks strange, shadows are lifted to the extreme, highlights are brought down way to far so you can see the hard clip to white- films dont look like that.

    What this LUT does is mimic the rec709 image out of an alexa (I actually modified it from a log-c to r709 LUT), the highlights roll to white and clip nicely, the blacks as well roll into black- skintones are soft and for the most part- accurate, nothing is over saturated, just an overall pleasing look strait "out of camera". Once you apply this LUT and learn the workflow, you shouldnt need to much *if any* additional color correction. I will continue to develop the LUT to improve it- feel free to do the same.

    IMPORTANT NOTE!: Resolve defaults color temp to 6500k in this workflow, you can change that white balance setting in the Camera Raw tab and apply to the needed clips.

    The file links:

    Hunter's LUT (v1.0 beta): mediafire.com/download/edi527vmjmgfe42/Hunters_5D3_LUT_beta_v1.cube

    Rawmagic (free cinemadng converter):

    DaVinci Resolve:

    Thanks to my friend joncontino.com for the desktop wallpaper (amazing artist)

    Special thanks to Purity Ring for the music: purityringsongs.com (amazing music)

    Be sure to support the ML dev team (magiclantern.fm) for unlocking this camera to RAW video- I still cant believe it!

    Feel free to type questions below, Ill do my best to answer them all.




    # vimeo.com/67970827 Uploaded 118K Plays 128 Comments
  2. Canon 60D ML RAW TEST
    I shot this video with my Canon 60D and the Yahica ML 50mm f/1.7. I installed the latest nightly build version of Magic Lantern and enabled the raw module, set the aspect ratio at 2:1 and the resolution at 1504x752. and then downscaled it to 720p.
    Used the SanDisk Class 10 SDXC card which roughly gave me about five seconds per shot at 24 fps. Also used the picture style Marvels Advanced 3.3 and then graded it on the Camera Raw importer from AE 5.5

    # vimeo.com/96165395 Uploaded 389 Plays 2 Comments
  3. Practicing my video shooting, editing and special effects skills with my nephews.

    Shot on a Canon 60D in 720p 14bit RAW with Magic Lantern, edited in After Effects and Premier Pro CC

    # vimeo.com/71864380 Uploaded 299 Plays 1 Comment
  4. Testing the VisionColor VisionLOG camera profile for Magic Lantern Raw video.
    Shot on the Canon 600D with the Rokinon 35mm cine lens.
    Graded with VisionColor's Vision X Log LUT.

    # vimeo.com/77092651 Uploaded 762 Plays 0 Comments
  5. After testing OSIRIS on a Magic Lantern Raw footage from my EOS DSLR, I wanted to test the OSIRIS LUT from Vision Volor on a Canon Native H.264 footage.

    I really love the result. Dynamic range is for sure not the same as on Raw, but OSIRIS does also work well on H.264

    - Canon EOS 6D (handheld),
    - Sigma 50mm f/1.4,
    - Variable ND filter,
    - VisionColor Picture Style
    - Sandisk 95Mb/s SD Card,
    - VisionColor Picture Style for Canon EOS

    # vimeo.com/78511271 Uploaded



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