Director: Ken Wolff
    Production: Wolff Independents
    Set design:
    Ken Wolff
    Jessa Cadabra
    Jeng Leong

    ©2017 // Wolff Independents

    # vimeo.com/240689285 Uploaded 107 Plays 0 Comments
  2. Recording high quality sound for your DSLR can be tricky business. Here are a few ways to help you record.

    See the lesson here for more details-

    # vimeo.com/17863627 Uploaded 115K Plays 31 Comments
  3. We made a video about using the new Magic Lantern features from shot to completion. So if you're not sure whether this will be a good solution for you, watch and see.

    For the purpose of expediency this video touches quite briefly on many topics. If you would like more information, check these links:

    LensRentals Blog post:

    Sample footage for you to experiment with at home:

    Magic Lantern Forums:

    Raw Video thread:

    Rawanizer thread:

    Dual ISO thread (with link to Cr2HDR):

    Flicker Free ETTR Timelapse thread (with link to Ufraw):

    Magic Lantern Website:

    Rent this camera here:

    Directionless EP by Broke For Free

    # vimeo.com/73771825 Uploaded 38.8K Plays 38 Comments
  4. Hosted by Marco Solorio of OneRiver Media, this video compares the Blackmagic Design Cinema Camera and the Canon 5D Mark III in several tests. This includes dynamic range, sharpness, pushing levels, banding, artifacts, rolling shutter, chromakeying, wide/telephoto lengths, DOF (depth of field), low light, macro blocking, contrast, and more.

    NEW! Check out our new eBook "Ultimate Comparison Guide to the URSA & CION" at onerivermedia.com/ebooks

    Check out our follow-up video to this one:
    "Comparing the Cinema Camera: Part 2, The Impact of 12-bit RAW"

    After several DAYS of trying to upload this video to Vimeo, we've ultimately had to reduce the bit-rate compression down to 18mbps (Vimeo recommends 5mbps, ha!), which is down from our minimum quality level of 40mbps. This means the SOURCE file you can download will also inhibit some amount of compression blocking and smearing, even in the Cinema Camera footage, which doesn't originally exist in our ProRes master file. We've tried EVERYTHING, multiple types of uploads, different encoding methods, you name it.

    Although the downloadable source file is a little better than the streaming version, it still doesn't compare to the original ProRes source file which imposes no banding, compression artifacts, or chrominance sub-sampling (down from 4:4:4 to H.264's 4:2:0 space). Please keep this in mind when viewing.

    Unfortunately Vimeo only allows 100 downloads per day, so check back to download the 2GB file if the queue is filled. And remember to always watch in FULL 1080 HD or you will have added scaling and moiré issues on some of the tests than what is already been added by Vimeo and our horrid bit-rate restrictions.

    Thanks for watching. Hope this is as informative for you as it was for me making it.

    Twitter: twitter.com/OneRiverMedia
    Facebook: facebook.com/onerivermedia
    Blog: onerivermedia.com/blog
    Newsletter: onerivermedia.com/bmcc
    eBooks: onerivermedia.com/ebooks

    # vimeo.com/49875510 Uploaded 599K Plays 411 Comments
  5. Since the brilliant people at Magic lantern released the Raw Video option late May I have been testing it by downloading different and newer builds all the time. RAW video is a Hugh deal: amazing detail and 14 bit recording that allows for exposure latitude that was only possible with Raw still images before. instead of shooting heavily compresses H264’s we are now able to capture 24 RAW still pictures a second and hoping for 4K capture down the line. …Can't belive I almost sold my 5D MK-3.. I wish I had more time to test but I’m really busy shooting for a living, so from the little time I spent testing: here are some short samples: 5D MK 3 with Magic lantern (most shot at 1920x1080) 24-70mm 70-200mm 100-400mm X5 ML push for the moon 100mm Micro 45mm T/S Enjoy…

    # vimeo.com/69887729 Uploaded 1,388 Plays 7 Comments


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