One Hundred and Eight is an interactive wall-mounted Installation mainly made out of ordinary garbage bags. Controlled by a microcontroller each of them is selectively inflated and deflated in turn by two cooling fans.
Although each plastic bag is mounted stationary the sequences of inflation and deflation create the impression of lively and moving creatures which waft slowly around like a shoal. But as soon a viewer comes close it instantly reacts by drawing back and tentatively following the movements of the observer. As long as he remains in a certain area in front of the installation it dynamically reacts to the viewers motion. As soon it does no longer detect someone close it reorganizes itself after a while and gently restarts wobbling around.
Fire, light, movement, space, demonstrations, and performances: the Stedelijk Museum Amsterdam presents an historic survey of the innovative, international avant-garde artists’ group, ZERO. In the ’50s and ’60s, the ZERO artists’ group experimented with the most innovative materials and media.
In 1962, the Stedelijk Museum staged the first museum presentation of ZERO. A few years later, a more comprehensive survey, Nul 1965, followed, a presentation widely considered as one of the movement’s highlights. Now, precisely fifty years later, the Stedelijk is proud to present an historical survey that sheds light on how the network’s artists – Armando, Heinz Mack, Henk Peeters, Otto Piene, Jan Schoonhoven, Günther Uecker, Lucio Fontana, Yves Klein, Piero Manzoni, Jean Tinguely, and Yayoi Kusama – redefined the meaning and form of art forever.